Reviews

An unusual – and unlikely - love story begins outside London’s St Pancras Station when Georgie Burns (Kat Stewart), an unhappy, over-sharing forty-two-year-old American, picks up Alex Priest (Peter Kowitz), a taciturn, reclusive seventy-five-year-old London butcher.  Her first move - so we’re told because we don’t see it – is to kiss him on the neck.  (It’s a good thing we don’t see it because not seeing it makes it easier to believe.)  That’s the ‘meet-cute’ of the traditional rom-com and Heisenberg does in

There are two types of people who might go to Matt Cox’s Puffs at the terrific tent-theatre that has ‘popped-up’ in Sydney’s Moore Park: fans of the books and films about the school life of Harry Potter, and everyone else. I put myself in the latter category. I’ve missed the books, viewed one of the movies in the cinema (the first) and managed to escape their myriad, commercial-ridden repeats on television. So, not ideal then.

Lazarus is music theatre of an original and full blast overwhelming kind.  There are eighteen David Bowie songs, across his varied range of genres, satire, a Japanese sequence – in Japanese – a vicious killer, jazz balletdance numbers, a rocket ship, dazzling video projections and visceral sound design.  As a story, Lazarus continues the fate of Thomas Jerome Newton, the trapped alien David Bowie played in Nicolas Roeg’s 1976 movie, The Man Who Fell to Earth.  But it is also Bowie’s own dreamscape metaphorical autobi

‘There must be another way’ - this is the message that Dropout, presented by True North, leaves its audience to ponder.

In the current environment of dropping out due to dissatisfaction with conventional schooling, this showposes some questions that are pertinent to students, teachers, parents and society in general, usingmultimedia and a cast of around 40 students from the ages of 7 years up, all under the impassioned direction of Alirio Zavarce.