Reviews

Oy vey, what a play! A delicious mix of mysticism, gender politics, lust, suspense, Yiddish, ancient Jewish lore and cross dressing. And yes, and there is some nudity.

Enough schmutz* to drag people away from the Hot Rabbi on Netflix.

Isaac Singer penned the short story Yentl the Yeshiva Boy – but hated Barba Streisand’s 1983 film adaptation. Streisand kept the core of the story about an orthodox Eastern-European Jewish woman, who dresses as a man so she can study Jewish scriptures, but shaped it as a vehicle for her own talent.

This show features 15 iconic First Nations songs, reworked by smooth singer Adam James, backed by a 13-piece jazz orchestra – and it is one of the most enjoyable evenings of Australian music you will ever experience. I absolutely loved every minute of it. Having made his mark as a country singer, Adam James is getting back to his childhood roots and reinventing himself as ‘The Quandamooka Crooner’, revisiting the African-American swing, soul, jazz and blues that he and his family grew up singing and dancing to.

IF EVER there was a case of a reviewer’s reservations being swept away in one fell swoop then this is it.

I had always considered this to be a lesser work from the pen of Rodgers and Hammerstein, and when the announcement was made that this company was going to mount this work, I admittedly had some doubts as to the wisdom of the choice.  I need not have worried.

Playwright and novelist Jeff Baron has many plays to his credit, none more performed worldwide than Galleon’s latest production, Visiting Mr Green. Experienced director Vicky Horwood took on the task of breathing new life into this two-hander. A story told by co-protagonists, takes place in the Upper West Side Manhattan apartment of Mr Green – an elderly Jewish gentleman with a cantankerous nature, who is still mourning the loss of his wife, Yetta.