Things I Know To Be True

Simply one of the best plays of the year, Melville Theatre Company’s incarnation of the Australian family drama Things I Know To Be True is a well-directed and superbly acted production.

Things I Know To Be True is the story of one family, with adult children – a family that the director describes as one that “could be any family in Australia”. We ride with them through some big events, in a story that while often is dark, has beautiful moments of light, hope and humour. This team have created a believable family with a shared history that resonates well. 

In keeping with the theme that this could be any family, Vanessa Jensen’s set design of the Price family home and yard is black and white and open – allowing audiences to fill the blanks - and is sensitively lit by Lars Jensen. The ‘every day’ costuming by Michelle Sharp is true to character. Production values are simple but beautifully realised - giving this show polish without bells and whistles - an understated and very appropriate choice.

Phil Barnett is excellent as patriarch Bob Price, a down to earth man with a clear love for his family. Natalie Burbage is outstanding as his wife Fran, giving a performance that runs the gamut of emotions, but is always truthful and layered.

Ruhama Rowe gives a strong performance as oldest daughter Pip - especially strong in her monologue scenes and showing the ramifications of difficult decisions. Thomas McCracken, whose character Mark holds perhaps the biggest secret, charts a difficult journey with dignity and understanding. Thomas Dimmick is strong as his mother’s favourite son Ben, and his development as a character throughout the play makes for interesting viewing. Marie-Ève Cigna completes the cast beautifully as youngest child Rosie, whose perspective is perhaps closest to that of the audience - and her warm portrayal draws us into this complex, flawed and fascinating family.

A must-see for anyone who appreciates an expertly produced and well-written drama. An Australian story that resonates strongly with the audience.

Kimberley Shaw