Reviews

Somewhat reimagined and stripped even further back than its very basic original by director Helen Dallimore, with new, darker atmospheric arrangements for keyboard and guitar from musical directors Hayden Barltrop and Glenn Moorhouse, against a simple setting of translucent drapes and astro-turf by Hugh O’Connor, the world’s longest running musical remains true to its minimalist roots in its current makeover at Sydney’s Hayes Theatre, a good match for the show’s original intimate New York home.

Direct from London’s West End, this absolutely delightful musical adaptation of Judith Kerr’s children’s classic is just as magical on-stage as it is on the written page. The story of a tiger who comes to tea and eats all the food and drinks all the drinks including the water from the tap has been given a whimsical make-over by director/writer David Wood in a production that uses the traditional pantomime devices of audience participation, sing-a-long, and the classic “he’s behind you” gag.

The setting for Bring It On is the highly competitive sport of Cheer Leading and the lengths that some people go to win at all costs.

From curtain-up, the energy on stage was electrifying and contagious.

The production team of Director Rod Herbert, Musical Director Anne-Maree McDonald and Choreographer Tracey Rasmussen has delivered a fast paced, highly entertaining production with the daughter / mother combination of Gezelle Barham and Coralie Bradshaw creating the thrilling Cheer Leading sequences.

They've done it again! Shake & Stir Theatre Company have delivered the goods with another very successful production - their brand new stage adaptation of Roald Dahl's George’s Marvellous Medicine.

After spending a sizeable chunk of 2015 touring Australia with their version of Dahl’s Revolting Rhymes & Dirty Beasts, the Shake & Stir team are back for another bite of the deliciously devilish Dahl cherry, and another crazy tale from the wacky mind of the world’s number one storyteller.