Reviews

The Turk in Italy

By Gioachino Rossini. Librettist: Felice Romani. Opera Australia. Joan Sutherland Theatre, Sydney Opera House. August 10 – September 1, 2018

Though opera buffo doesn’t traditionally have the same classical ‘standing’ as the dramatic operas, the music is just as beautiful – and there is much more opportunity for directors to have fun with the action and the costumes. Simon Phillips certainly did this in his 2014 production of The Turk in Italy, and revival director Andy Moore has treated it just as playfully in this reprise. In Opera Australia’s own words: “This production is a frivolous take on a comedy that is not often performed”.

Murder Magick Mayhem

The Luvvies written by Lynn Brittney. Out the Window written by Richard W. Harris. Do You Believe in Magick written by Jo Rake. Failed Investments written by Lynn Brittney. Directed by Nerida Day. Presented by Shining Lights Seniors’ Theatre Workshop. Sunnybank Theatre, 10 - 11 August, 2018

Sunnybank Theatre Group has a long history of making theatre accessible to people of all ages and walks of life. They’re continuing this tradition with Shining Lights theatre workshops and performances by seniors. Their first foray onto the stage was Murder Magick Mayhem, a selection of four short plays.

The Boy From Oz

Music & Lyrics: Peter Allen. Book: Nick Enright. The Production Company, Director: Jason Langley. Musical Director: Michael Tyack. Choreographer: Michael Ralph. State Theatre, Arts Centre, Melbourne. August 11 – 26, 2018

The Boy From Oz is a powerhouse show for the title character, and in Rohan Browne they found the right man. He has a good singing voice and his dancing was amazing. However, it was his natural manner, chatting to the audience, which carried the show.

Caroline O’Connor was excellent as his mother-in-law, Judy Garland. She died early on, but that didn’t stop her returning at various intervals to give Peter some good advice. Vocally she really channelled the ageing Judy magnificently. Robyn Arthur was a constant delight as Peter’s mother.

Julius Caesar

By William Shakespeare. Bell Shakespeare. Directed by James Evans. Heath Ledger Theatre, State Theatre Centre of WA, Perth. 8-11 August 2018

Bell Shakespeare’s Julius Caesar touched down in Perth, a month into its Australian tour which concludes in Sydney in November. A modern dress production, simply staged, it is very much focused on the language, fascinating characters and Shakespeare’s exploration of leadership.

Oil Babies

Written and directed by Petra Kalive. Presented by Darebin Arts Speakeasy & Lab Kelpie. Main Hall, Northcote Town Hall, 189 High St. 8 -18 August, 2018.

Oil Babies articulates the anxieties around environmental issues and transforms them into a complex and rich text framed by a highly visual and visceral theatrical experience. The dystopian tone of the set design is echoed through the dialogue between the protagonists. The desire to have a child is tempered by a range of mixed feelings and attitudes related to the physical state of the earth and the moral, philosophical and psychological consequences for those who rely on the planet for safe dwelling.

Chasing Smoke

Casus Circus and Circus Oz BLAKflip. Directed by Natano Fa’anana. Performed by Jack Sheppard, Dylan Singh, Harley Mann, Ally Humphries, Lara Croydon, Pearl Tia Pearce-Thompson. Darwin Festival 2018. Darwin Entertainment Centre. 10 -12 August, 2018.

Born out of Circus Oz’s BLAKflip, a program that nurtures and actively increases the number of Aboriginal and Torres Strait Islander circus artists on stages in Australia and across the globe, Chasing Smoke is Australia’s first all-First Nations contemporary circus show. And as Samoan-Australian director Natano Fa’anana writes, this fact is “… both a travesty and a celebration. The travesty being that it’s taken so long. The celebration – we finally have one.

Generation Jeans

By Nicolai Khalezin with the participation of Natalia Kaliada. Belarus Free Theatre. Directed and Performed by Nicolai Khalezin. Music by Lavr Berzhanin (DJ Laurel). A Malthouse Theatre and Monash Academy of Performing Arts production. Alexander Theatre – Monash University, 6 – 8 August and Malthouse Theatre, 9 – 18 August 2018.

With an excellent sense of irony and humour, in an open crisp grounded manner, Nacolai Khalezin tells us his story.  The choice of words and Khalezin’s native tongue evoke strong imagery.  Translation is sur-titled with enough time to read, whilst attaining adequate glimpses of the performer, to become entranced by the authenticity of his narrative and presentation. 

Hallowed Ground – Woman Doctors In War

By Carolyn Bock and Helen Hopkins. The Shift Theatre. La Mama Courthouse, Carlton, Vic. August 8 – 19, 2018

History cannot be repeated!

Hallowed Ground - Woman Doctors In War chronologically shifts to and fro through a century of wars, with vivid and strong accounts of Australian medical women who have worked in the armed forces.

Carolyn Bock and Helen Hopkins from The Shift Theatre - writers and two of the four performers - have recreated an explorative meshing of female characters that project an ongoing concern over the male dominated hierarchical divisions in the military/medical establishment. The actors give powerful and honest performances.

Der Rosenkavalier

By Richard Strauss. Melbourne Opera. Director: Tama Matheson. Musical Director: Dr David Kram. Venue: Athenaeum Theatre. August 9 – 17, 2018.

Der Rosenkavalier is an opera of almost Wagnerian proportions. At just over four hours it was a long night, but the music was sublime.

Nell Gwynn

By Jessica Swale. New Theatre, Newtown (NSW). Aug 7 – Sep 8, 2018

Jessica Swale’s Nell Gwynn has the sort of knockabout, physical style you’d expect to see in Shakespeare’s Globe – it’s where this London hit began a few years ago.  

It’s a witty and bawdy travel through Restoration England when women were finally allowed on the stages and the Merry Monarch was chasing the best of them. 

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