By Nicola Gunn. Malthouse, The Beckett. 6 – 18 August 2024
An ‘apologia’ is not an apology. On the contrary, it is a defence (written, spoken, passionate, logical, whatever) of one’s actions or beliefs. So what is Nicola Gunn defending here? It is the ambiguity of something is translated, transformed, recreated, replicated, copied, or incorporated into something else. What then is the nature or essential essence of the ur-thing that is translated, transformed and so on? What is its authenticity? (Some may recall the Abbas Kiarostami movie Certified Copy.)