Sweet Charity
Sweet Charity was a sweet choice for Roleystone Theatre. Originally slated to be one of the first productions in their new theatre, with the rebuild yet to be finished, the show was staged in the Armadale Town Hall. This production marked the directorial debut of Chloe Palliser and featured some fine performances.
The use of Armadale Hall might almost be a happy accident, with the large space allowing the orchestra to be visible on the stage, with additional staging built on to the floor of the hall. The stage extension was flanked by clever revolving set pieces that were well employed and the venue allowed for some cabaret style seating, drawing the audience in to some of the Fandango Ballroom scenes. Projections were also used - adding colour and life and allowing for the “stuck at height” fairground scene to be played behind most of the audience, yet still be completely visible.
Costumes embraced the swinging sixties, with lots of colour and great choices to highlight character - impressive work from designer Oneisha Temby.
One of the largest orchestras of 2023, this strong assembly was led by Music Director Natalee Husk and co MD/conductor/bassoonist Krispin Maesalu. They backed some solid vocals that were sustained even through some frenetic Fosse-style choreography from director and choreographer Chloe Palliser.
Arianne Westcott-King was a gorgeous Charity, anchoring the show with a fabulous presence and a great blend of get-up-and-go and vulnerability - wonderful to watch. Love interest Oscar Lindquist was sweetly played by Jason Nettle, who gave this character an admirable awkwardness and an interesting journey.
Christian Dichera brought stunning vocals and a strong acting performance to the role of cinematic heartthrob Vittorio Vidal, playing nicely against Jordan D’Arcy’s superbly crafted Ursula.
The Fandango crowd created believable long-term relationships. Great work from Paul Treasure as a Texan Herman, and lovely camaraderie from Charity’s besties Nick and Helene, played by Cortni Cooper and Jessica Reynolds. Jocelyn Dale was sweetly naive as new girl Rosie.
The ensemble was strong throughout, embracing cameo roles and bringing energy to big production numbers. Rhythm of Life was a highlight - very well led by Callum Presbury as Daddy Brubeck.
This production was dedicated to long term Roleystone member Paul Presbury (and father of Callum) who sadly passed away just before the show opened. A worthy tribute, and I am sure he would be honoured and proud.
Kimberley Shaw
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