Sweet Charity

Sweet Charity
Book by Neil Simon. Music by Cy Coleman. Lyrics by Dorothy Fields. Directed by Jess Purdy, with Dennett Hudson as musical director and Callum Mansfield choreographer. Presented by BAMT at Hayward Street Studios (Brisbane). October 27 – November 14, 2021.

First performed on Broadway in 1966, then made into a movie in 1969, Sweet Charity, is now presented by students or recent graduates of BAMT and they give it plenty of vim and vigour.

It basically tells of the trials and tribulations of Charity Hope Valentine who works as a dancer for hire at the Fandango Ballroom. Her generosity to others and her love of life are in contrast to those she works with, and she eternally hopes for a better life. After many encounters that have failed, she meets Oscar, an allergic hypochondriac who suffers from severe claustrophobia. Will this be her salvation or will disappointment come again?  This story is told to us through song and dance, with the songs “Rhythm of Life”, “Big Spender” and “If my friends could see me now” bringing back memories.

From the very beginning, this production bounced along with very lively, co-ordinated dance routines on a relatively clear set which included a couple of clever innovations. The company work was good but the music was far too loud at times, making it almost impossible to hear the singers clearly. What was impressive was the interplay of all characters, coming across well as individuals who remained true throughout the full performance.  Well done.

Kelsey Todd played Charity Hope Valentine, the centre of the story and her performance helped it to success. Outstanding was Christian Robba-Colley as Vittoro Vidal as one of Charity’s hopeful chance encounters. Congratulations also to Tayler Ramsay and Sam Caruana. However, a bit more polish confidence on display would have improved the over-all effect. The play ran for well over two hours, yet I didn't notice as it had me absorbed fully. Oh, the dancers for hire could have been a little more “cool” and dressed in a more sophisticated manner.

A good night at the theatre which showed so much new talent on the way.

William Davies

 

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