Reviews

RGB, Of Many One, is the life story of Ruth Bader Ginsburg, the second woman elected to the US Supreme Court, expertly crafted into a one-woman play by Australian playwright Suzie Miller. 

Performed by Heather Mitchell, this is one of those iconic performances that you only see every few years - a stunning and mesmerising performance, that captivates the audience from the very first moments until they leave an hour and thirty-five minutes later, wondering where the time went.

In Bangarra’s remarkable history, its second artistic director Frances Rings takes a logical next step by forging a collaboration with First Nation artists from another country. From across the Tasman, Maori choreographer Moss Te Ururangi Patterson elicits from 16 Indigenous Australians an enthralling dance voyage through the winds, waters and people of his home country around Lake Taupo in Aotearoa.   

There were lots of words recited in this oratorio that were unfamiliar to the stage of the Joan Sutherland Theatre. For starters “poofter” and “cum” don’t normally appear in the translation of operas.

Also, strikingly different to regular operas was a tight, engaging, contemporary story where not a word was wasted. Sadly, this stunning and beautiful work is only on stage for four performances, after its initial season at the Adelaide Festival.

The Adelaide Cabaret Festival continues to surprise: who would have thought we’d witness the ABC’s Leigh Sales AM singing Chicago’s ‘Class’ with the Festival’s director, Virginia Gay? And mighty fine singing it was too, and an excellent opening to a live (and lively!) edition of the popular podcast from Sales and Annabel Crabb.