The State

The State is an unashamedly bold piece political theatre that reminds me of the agit-prop theatre of the 1970s. Employing bold costume, makeup, puppetry, and mask work, this look at democracy is an interesting and compelling piece of theatre.

Various states are ruled over by dandyish drag-king daddies, fairly interchangeable despite their political leanings. All are essentially puppets of a strange and elusive figure known as Mummy. A scathing look at Australian politics, the use of puppets and mask give this play a fun yet disturbing feel throughout, a little like a ghost train that you can’t get off.

Pacey and polished, the four performers, Rhi Bryan, Jo Cooper. Lucy Wong, Mazey O’Reilly and Bronte Francis play multiple characters - switching quickly and effectively, and they work together as an effective ensemble. While the storyline isn’t always clear, its multiple messages are easy to understand.

Leisl Lucerne Knight designed the costumes, puppets, and very theatrical set, that give this production its unique look, supported by an effective lighting design by Nat Mijat and bold sound design by Lara Pollard.

Running 120 minutes or so, this is lengthier that the annual Blue Room show, and possibly could have lost 20 minutes for greater effect.

If you like your theatre with strong political edge and an interesting visual, The State could be a great choice.

Kimberley Shaw.