Reviews

Look down on the stage – is it a Musical, is it a Cabaret, is it a Burlesque? Well, it’s Superwoman in the form of Sheridan Harbridge, so arguably it’s all three. But why limit your enjoyment by putting a label on it at all? It’s a delicious feast of bawdy irreverence, political incorrectness, Vaudeville, filthy language, pop songs, audience interaction and deep and poignant moments wrapped up in a Birthday Party. It’s as funny as a Trevor Ashley show but with more depth (sorry Trev).

Boutique musical theatre company Squabbalogic and Sydney Philharmonia unlocked a Gershwin treasure chest for just two performances at the Opera House, and the city’s music theatre tragics will be forever grateful.

Monkey Baa consistently brings fun and fantasy to the school holidays – and this production has come all the way from the Edinburgh Festival via London and Chicago. Puppeteers Ailie and Sam have literally flown their set of lights and multiple suitcases through the sky and across the sea just like their puppet hero Larry is in this quirky and beautifully contrived performance about taking a little time to dream …

Though I was aware of Urinetown, this was my first encounter with this alternative musical. It was certainly different! The whole concept of a drought forcing a town to close all private toilets and make people pay to pee was smack bang in the theatre of the absurd. At the start the narrator spoke about the fact that it was a musical and foreshadowed what was to happen.

I found the production thoroughly enjoyable. It was fast moving. The direction was good and the choreography amazing and tight. The lighting was exciting.