Reviews

Three young women, university freshers, move into a share house: Di (Nadine Garner), a sporty lesbian business student, bursting with energy, Viv (Belinda McClory), a judgemental, driven, ambitious design student intent on escaping her roots, and Rose (Mandy McElhinney), more middle-class, insouciant, a student of Art History.  It’s the early 80s.  Their friendship, over the next twenty-seven years, is the subject and the heart of this light but amusing and entertaining show.  It’s made all the more entertaining by this cast, who individuate their characters beaut

BKO continues to impress. As one of a small number of amateur companies, they stand out with their innovative direction and committed performances.

This was a shortened version of the opera, but only those familiar with the opera would have noticed. Conductor, James Penn, had done an excellent job rearranging the music. Surprisingly, the ballet in the third act was included, without the traditional ballet dancers. However, this was given quite a different take with the girls flaying the boys with whips! It worked very well.

4:48 Psychosis refers to that moment in the early morning when a muddled, besieged mind achieves clarity. So it was with playwright Sarah Kane. And having struggled through the hour of dark and twisted action to achieve such momentary awareness myself, I have to bow my head. For Kane was never to see her play performed. She committed suicide at 28.

Using a single room in a threadbare apartment, Dislocated have created a powerful set of stories of six "generations" of tenants, with a bittersweet thread of love and loss woven throughout, underpinned with a deep current of humour.  Every nuance is communicated solely through physical movement - combining dance, circus arts, and physical theatre - by this superbly-talented set of acrobats and dancers.