Sense & Sensibility - The Musical

The classic Jane Austen story comes to life in a new, homegrown Australian musical. Composer Daniel Hernandez and Director/Writer Sharmini Kumar have captured the essence of the Regency period of the late 1700's - set in South West England, London and Essex - that millions of Austen fans have come to love so dearly.  

The principals included: Liliana Braumberger (Elinor Dashwood), Chloe Towan (Marianne Dashwood), Lore Burns (Edward Ferrars), David Kerr (Colonel Brandon), Ruth Gilmour (Lucy Steele), Bradley Storer (John Willoughby), Mayen Estanero (Mrs Dashwood) and Zoe Stokes (Margaret Dashwood).

Each cast member has worked hard to portray their unique character to the best of their abilities. The acting in particular was entirely believable. There were many dramatic moments when a pin drop could be heard as well as some very comical one liners. Despite not having perfect vocals ,I did feel that the cast knew their songs well and portrayed the essence of the lyrics admirably.  The singing was stronger in the duet and ensemble numbers.

The four piece band - consisting of piano, cello, clarinet and bassoon - complimented the singers well and felt appropriate for this style of play.

The clever set consisted of French chaises, day beds, baroque armchairs, a drawing room piano and other items found during the 'Age of Enlightenment'.  Rear projections with photos of Norland Park and Barton Cottage as well as gardens, maps of England and original pencil sketches were used to great effect. Original hand sewn costumes also add to the authenticity of the production.

Director Sharmini is to be commended on writing a simple script that makes perfect 'sense' to those unfamiliar with the original Austen novel. The lyrics are clever, witty and at times heartwrenching. They help to enlighten us to the characters' backstories whilst moving the story forward.  I hope that in a future production we might get to hear a full orchestration of Daniel Hernandez's beautiful score, that is right up there with the best musical theatre composers.

Despite its obvious humble beginnings, I cannot help but feel that there is a big future in store for this appealing new musical.    

Jonathan Cox

Images: Brett Robson