Reviews

The Real Inspector Hound

By Tom Stoppard. Artefact Theatre Company at St Martin’s Youth Theatre. Director: Matthew Cox. 29th April - 14th May 2022

This classic, clever, relentless Tom Stoppard with all of his verbal brilliance and room for physical contrivances is satisfactorily delivered at a whirlwind pace. Attempting to present a classic which has been thoroughly explored is always a challenge.

Artefact Theatre Company has drawn together an experienced group of actors who are easily able to deliver the verbal duets between the critics, Moon and Birdboot and the well-worn emotional highs and lows and incessant threats of murder with competent ease and aplomb.

Teddy Tahu Rhodes, Josh Piterman & Guy Noble In Concert

Opera Q and Andrew McKinnon. Concert Hall, QPAC. 7 May 2022

Teddy Tahu Rhodes is everybody’s favorite bass-baritone, and Josh Piterman, the new kid on the block, has been slowly worming his way into our affection for some time.

Mamma Mia!

By Benny Andersson, Björn Ulvaeus, Catherine Johnson and Judy Craymer. Stray Cats. Directed by Karen Francis. Mandurah Performing Arts Centre, Mandurah, WA. May 5-8, 2022

Mamma Mia! may well be the most often performed musical in WA, in the last few years, but Stray Cats’ big, bright, and beautiful production at Mandurah Performing Arts Centre, shows that it can still attract and thoroughly entertain a capacity crowd.

Summer Wonderland

By Matthew Ryan. Mates Theatre Genesis. Director: Suze Harper. Donald Simpson Community Centre, 172 Bloomfield Street, Cleveland QLD. 5 – 15 May 2022

Billed as a hilarious comedy about fake snow, fairy lights and the great Australian dream, Mates Theatre Genesis’s production of Matthew Ryan’s suburban parody Summer Wonderland is as Australian as Vegemite and certainly delivers the promise of laughs.

A Midsummer Night’s Dream

By William Shakespeare. University of Adelaide Theatre Guild. 6-15 May, 2022

Touted as the best playwright who ever lived, William Shakespeare died 400 years ago, but his work is more popular than ever. Worldwide, new generations are finding and revisiting the Bard, in part because of the breadth of the strong themes that run through each piece. His works are relatable, timeless and universal, and appeal to new generations of actors and audiences, and this is very much the case with The University of Adelaide Theatre Guild’s current production of Shakespeare’s A Midsummer Night’s Dream.

Silenced

By Linda Nicholls-Gidley. Vocovox. Directed by Carly Fisher. Flightpath Theatre, Sydney. 4 – 14 May 2022

More a ‘let’s-see-what-we’ve-got-here’ than a play, Silenced gets a trial run under the flight path of landing planes in Marrickville, Sydney. The all-female cast of six copes well with the frequent jet noises, as they come to grips with the journey each has to take: being forcibly silenced by a male partner or family member.

Tales from the Jetty

Writers: Bruce Shearer, Alison Knight, Adele Shelley, Gregory Vines. Melbourne Writers’ Theatre. Gasworks Arts Park. Director: Elizabeth Walley. 4th - 15th May 2022

After lockdowns and community disruptions, this wonderful collection of tales about the strength of community when people are committed to a cause is balm for the soul. Four small stories cover-the battle for Wilson’s Promontory’s protection in the late 1880s, the impact of a group of people who volunteer to support people with disabilities to exercise, how a group of mothers combined their efforts to provide resources to other mothers while also reducing waste, and the birth of the Pride March in Melbourne.

Double Beat

Form Dance Projects. Director: Sara Black. Riverside Theatres. May 5-7, 2022

Hearing the heartbeat of her son for the first time led choreographer Sara Black to what became Double Beat, a movement piece based around the different rhythms of beating hearts as they react to the pressures affecting the people whose bodies they charge.

Composer Alyx Dennison recorded the varying heart beats from nine people, combined them with the sounds of birds and wild life, and compiled them into a sound track that reflects the multitude of emotions and reactions that affect the human psyche and are mirrored physically in the changing rhythms of the heart.

#NOEXEMPTIONS

By Angela Buckingham. Directed by Susie Dee. La Mama Courthouse. 27 April – 8 May 2022

In a dim-lit bare space suggested only by outlines of green neon, a haggard woman, Maria (Helen Hopkins) stares out a window, scanning the street below.

La Traviata

By Giuseppe Verdi. Opera Australia at State Theatre, Arts Centre Melbourne, 100 St Kilda Road, Melbourne. 4–28 May 2022.

This is a stunning production that exudes confidence, charm and elegance. Stacey Alleaume is outstanding as Violetta. The power of her voice conveys enormous depth of emotion and gives a sincere level of substance to what can seem like a superficial romantic story.  Alleaume is able to portray Violetta’s fiery yet extremely compassionate nature and this makes her character and her actions very comprehensible. Ho-Yoon Chung as Alfredo takes some time to warm up to his role and at times his voice is overpowered by the intensity of the other performers.

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