Richard III

The Graduate Dramatic Society presents Western Australia’s first performance of Shakespeare’s Richard III in many years. This tragedy is well presented and performed in the atmospheric venue of the New Fortune Theatre, an outdoor venue with similar dimensions to Shakespeare’s own theatre.

This modern dress production is simply staged, with the only set dressing two huge banners of white York roses, and a large – usually empty throne (designed and constructed by Jonathan Beckett). Both aspects are striking and nicely employed. Striking lighting is designed by Fiona Reid, with well-chosen sound and effects by Sydnee and Sacha Emeljanow – occasionally overshadowed by noise pollution on opening night.

Alex Comstock is strong in the title role – in what may be his biggest role to date – anchoring the show with an unlikeable characterisation and likeable performance.

He is supported by a plethora of well-played Dukes and nobles, each given distinct personality and depth. Great work from Patrick Downes (Buckingham), Ellis R. Kinnear (nicely doubling King Edward IV and Richmond), Tony Petani (Clarence), Lara Vocisano (Rivers), Grant Malcolm (Derby), Jason Dohle (Hastings), Anna Head (Ratcliffe) and Sarah Thillagaratnam (various clergy and Tyrell).

Particularly poignant performances from Kaitlyn Barry and Madelaine Paige, in breeches roles as the doomed Princes in the Tower – both convincing and loveable as pre-teen boys – whose loss is deeply felt by the audience.

Director Dr Melissa Merchant is (among other skills) renowned for her expertise on women in Shakespeare, so it is perhaps unsurprising that the women in Richard III are especially well portrayed. Grace Edwards as Queen Elizabeth gives an outstanding performance that is worth the price of attending on its own - beautifully crafted and heartfelt. Katherine De Vere as Queen Margaret demands attention in her role as prophetess – a commanding presence. Anka Sagan gives dignity, beauty and grace to the role of ill-fated Lady Anne and Kate Elder endows the Duchess of York with both wisdom and resignation. Special mention to Luciana Silva, a silent but important presence as the teenaged Lady Elizabeth of York - a vulnerable but vital political pawn – very nicely played.

Richard III is one of the longest plays in the canon and is a little bit of a challenge on plastic chairs, but well worth it for fans of well-produced and presented Shakespeare. 

Kimberley Shaw

Photographer: Michael McAllan