The Questions

A 1997 study by professor of psychology Arthur Aron at New York State University, looked at intimacy between two strangers. As a result of his study, he developed 36 questions that could potentially lead to love. This promise of intimacy lead writers and lyricists Van Badham and Richard Wise to collaborate on this latest production for State Theatre Company.

A visually stunning performing space is an urban apartment block, designed by Jeremy Allen. A beige clad space which mimics our resident’s (Charles Wu) personality. The colour is soon provided by blind-date visitor (Chaya Ocampo). Our visitor has a masters in gender studies and our host follows a misogynistic philosopher. Strained conversation ensues as our visitor plans her early escape. This is interrupted by an alarm and text message notifications warning of a lockdown.

With a panic all of us can relate to, we bare witness to two mismatched souls making the best of their forced domestic cohabitation. The neighbouring apartment is home to three musicians, who can see into our resident’s apartment and use their musical talents on keyboards, guitar, and drums to provide a soundtrack to the controlled mayhem. Cleverly directed by Mitchell Butel, the action provides voyeuristic entertainment.

A relatable script provides hilarity and is highlighted by songs delivered with comic undertones. Both Wu and Ocampo showcase their excellent vocals with beautiful harmonies and many laughs are shared by an attentive audience. Although this production could be staged on script alone, the musical aspects provide depth and a break from the constant bickering.

After several months in lockdown our potential lovers already have shared their disdain for each-other’s flaws, but in an effort to pass the time they embark on the previously mentioned 36 questions. This forces the couple to delve deeper into their beliefs, where they slowly find common ground beneath their obvious differences. Both leading actors play well off each-other’s nuances, providing many tender moments.

The staging is a plus in this production. Lighting by Gavin Norris and sound design by Andrew Howard is well-thought through. With barely a dull moment this production is fast-paced and well-rehearsed. The script is engaging and puts a lighter spin on what was a traumatic time for our world in a lockdown that is still fresh in our memories.

Kerry Cooper

Photographer: Claude Raschella