Reviews

Here is a tale of a woman’s (Helen Morse) relation to Nature: her childlike immersion in it – mud between her toes, skin red from icy water - her delicate, wondering observation of nature’s variety, the sunlight through the trees, the sensual feel of a breeze on her skin, her awareness of its silence filled with sounds – birds hidden and seen, the rustle of leaves, the trickle-flow of water – all as she walks and jumps from rock to rock and explores along beside Innocence Creek…  Her own little vulnerable world.  And then the story tells of her

KADS present their second Sean Guy play of the year - Under the Table, winner of the 2022 Northern Territory Literacy Award for Theatre. An interesting blend of Agatha Christie style mystery, absurdism, and Australian humour, it was very well received by its opening night audience.

Playing on a split stage, one side interrogation room and the other ostensibly murder victim Edward Hush’s dining room, we meet two rather unusual detectives and a collection of suspects whose stories do not seem to agree.

Nocturnal is a brand-new contemporary dance work, choreographed and presented by Brooke Leeder and Dancers. This very dark piece, obviously set at night, is dark in costuming, set and lighting - an intriguing piece with elements of secrecy, nightmares, and self-reflection.

In 1827, in a little town called Polstead in Suffolk in the UK, a girl called Maria Marten disappeared. It was not until a year later that her body was discovered under the floorboards of a barn. She had been shot, strangled and hit with a spade by William Corder, the man she loved. The same man who had abused her psychologically in a nasty form of coercive control. The “Murder in the Red Barn”, Corder’s trial and very public execution are part of Suffolk history.