Reviews

Song of First Desire

By Andrew Bovell. Upstairs Theatre, Belvoir Street Theatre. 13 February – 23 March 2025

Two plays by Australia’s Andrew Bovell were produced in Madrid before he wrote this third to premiere in Spain. Remarkably, it’s about the legacy of Spain’s brutal civil war and the decades of silence that followed, the Pact of Forgetting, under which the victor, Nationalist dictator General Franco went on to murder a further 150,000 Republicans.

YOAH

Presented by Cirquework. Adelaide Fringe. The Moa at Gluttony. 21 February - 23 March 2025

YOAH is the returning work from contemporary Japanese circus company Cirquework, back at the Adelaide Fringe after an award-winning season in 2024. It’s a big-top production with amazing visual effects, a thumping soundtrack, and impressive physical acts from the five-strong team.

The narrative of a woman chased by darkness and looking for hope in the moon runs through much of the show, though for the most part, it’s a loose connection between the circus acts.

Milestone

Written & presented by William Yang. Music by Elana Kats-Chernin. Melbourne Symphony Orchestra – Conductor Benjamin Northey. Asia TOPA. Hamer Hall, Melbourne. 20th February 2025

Storyteller and photographer William Yang is 80 and this presentation (‘show’ seems the wrong word) covers his complex, complicated and marvellously varied life from his childhood in rural Queensland all the way to the present.  He has done many presentations – beginning long ago with ‘slide shows’ in people’s living rooms.  This might be the peak.  His verbal narrative is accompanied by photographs – not quite all his own – that are an essential and inherent part of the telling.  As well, there is Elena Kats-Chernin’

Nijinsky

The Australian Ballet, with Orchestra Victoria. Regent Theatre Melbourne. 21 February – 1 March, 2025

This is the second time that the Australian Ballet have staged John Neumeier’s ballet about one of the 20th century’s greatest male dancers.  To many, Nijinsky was and continues to be the ‘god of dance’ but in this production the madness of the artist is laid traumatically bare.

Yandha Djanbay (Go Slowly)

Writer Performer: Kirli Saunders. Merrigong Theatre Company. Director Leland Kean. Bruce Gordon Theatre. Illawarra Performing Arts Centre. 20 – 22 Feb, 2025

Kirli Saunders is a proud Gunai woman who, in her own words “rarely stays in her lane”. Rather, as a multi-disciplinary artist, she uses words, music and movement to express her strong feelings about country and mob … and the politics and policies and that force her out of “her lane”.

In Yandha Djanbay she explains those feelings in a performance that is open and challenging but is infused with gentle humour, wry irony and wise commentary.

No Dragon No Lion

Adelaide Fringe Festival 2025. TS Crew. Ukyio at Gluttony, Rymill Park, Adelaide. Feb 21 – March 2 2025

TS Crew from Hong Kong is a group of performing artists with different backgrounds, and it is known for blending Chinese opera, dance, martial arts and stunt performance in its repertoire.

An Unwasted Evening - The Genius of Tom Lehrer

Adelaide Fringe. The Jade, 142-160 Flinders Street. Sun, 23 Feb - Sun, 16 March, 2025

Whilst in 1960, South Australia’s Chief Secretary slapped a ban on five of Tom Lehrer’s songs, describing them as being ‘in poor taste’, the Fringe crowd for the opening of An Unwasted Evening - The Genius of Tom Lehrer at Jade, sang, clapped, laughed and waved their hands in sheer undisguised enjoyment. My, how the times have changed.

Grimm DNA - a double bill.

Presented by Actually Acting Youth Theatre. Adelaide Fringe, Theatre at Tower Arts Centre. 22-23 February 2025

One of the best things about Adelaide Fringe Festival is not just the variety of performances, but the diversity of performers from all ages and cultures. It was a pleasure to experience the hard work of the students from Actually Acting Youth Theatre in their double-bill performance of The Brothers Grimm Spectaculathon by Don Zolidis and Dennis Kelly’s DNA.

Baby Jane.

Adapted by Ed Wightman from the novel Whatever Happened to Baby Jane, by Henry Farrell. Canberra Repertory, directed by Ed Wightman. Theatre 3, Acton. 20 February – 8 March 2025.

Baby Jane follows the increasingly twisted dynamics between two sisters bound to each other by their involvement in a terrible car accident: Blanche, whom t

Fledermaus!

Music: Johann Strauss II. Libretto: Carl Haffner and Richard Genee. English version by Robert Ray. Orchestral score for small ensemble: Geoffrey Urquhart. Presented by: Gilbert and Sullivan Opera Victoria. Director: Robert Ray. The Knowe, 4 Clarkmont Road, Sassafrass, 15 February – 2 March 2025. The Round – Studio, 379-399 Whitehorse Road Nunawading, 8 March – 9 March, 2025. Moe Plaza – 2 Moore Street, Moe. 12 April, 2025

Gilbert and Sullivan Opera Victoria is celebrating their 90th birthday having been formed in August 1935. They could not have done better than to present Fledermaus! which showcases the deep experience of a group of people who love this art form and are prepared to do the myriad tasks which bring such a show to life.

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