Puccini Double Bill

Puccini's two contrasting one-act operas are an excellent choice for students of classical voice not only because of their vocal requirements but also their intriguing theatricality and diversity of character. After recently viewing a production of the university's musical theatre department and now the talents of the opera school, I am equally impressed by the standard of presentation, though in this instance these works are a worthy example of two diverse and demanding scores that require far more intense and expert vocal training.

With the impressive student Conservatorium orchestra also on show, under the capable and experienced baton of Music Director and Conductor Johannes Fritzsch, the first opera presented, Suor Angelica, is a heart-wrenching story most suitable for traditional opera and Puccini's compositional style. Set in a 13th century convent, the lead character Sister Angelica has been banished from a wealthy background to spend her days there in penance for giving birth to an illegitimate child, taken away at birth. The ensuing aftermath leads to turmoil and tragedy with a character torn between her harrowing life and religious convictions, a perfect musical vehicle to dig deep into the emotions, certainly in regard to the frustrations women experienced in those archaic and dark medieval times.

Sarah Hubbard, amongst many of the cast, well-captures the character in the leading role, with a soul-searching and convincing performance, particularly towards the end of the opera where there is some exquisite music requiring high octane technical prowess. The ensemble work, both on and off stage, is also rich, resounding and well-directed.

The second opera, Gianni Schicchi, perhaps one of Puccini's most favourite one-act operas with its elements of cheeky black comedy and recognized entertainment value, including the famous aria (translated) 'O my beloved Father' is quite a change of atmosphere. Director Lindy Hume, flowing with creative flair, sets the opera in a more contemporary Christmas setting, where an Italian family collectively mourn the loss of a wealthy relative (who actually dies on stage) but in reality show their real individual 'dark' colours when it comes to reading the will. This is a most vibrant, engaging production and exponent of vocal talent, in particular the golden voice of alumnus Phillip Costovski as Rinuccio and a terrific performance by Dallas Tippet in the title role.

Sincere congratulations must go to the teachers/repetiteurs at the Conservatorium for bringing out the best in the students' vocal talents in what is a very demanding and competitive profession in this day and age. The classical voice can mature fruitfully with age and this is more of a requirement for some of the roles, particularly in 'Suor Angelica'; nevertheless, the standard of performance for a student production in this instance is most commendable.

For lovers of opera, and thanks to generous community support and investment, it's always worth visiting the Queensland Conservatorium's productions, which continue to provide a golden opportunity to experience a 'first-look' at the remarkable young talent of our nation, some of whom may well be stars of the future.

Brian Adamson