The Pillowman

A rapidly shifting plot line that deals heavily with child abuse and has an extensive list of trigger warnings - this might not be for everyone, but this well-drawn production made for compelling viewing.

T. Mutta Beilby gives us a set design that, expertly realised, gives us a highly realistic basement interrogation room, which in turn opens to reveal other rooms. This highly detailed main set adds to the realism and grittiness of this show, and the intimacy of the Hayman Theatre means we are very close to the action - exposing every nuance in the performances.

Central character Katurian is played by Samuel Ireland with outstanding commitment and depth. Not always a likeable character, we slowly grow to sympathise with him as his world crumbles. It is difficult to take your eyes of this performer, so complete is his performance.

Amber Gilmour is excellent as Tupolski - a tough detective who is set on a prosecution. Usually played by a man, her performance is so complete and strong that it could have been written for her, let alone written for the opposite gender. Not played “feminine” with giveaway lines still referring to the character as male, she owned this role. Her partner, Ariel, was played by Wilson Gilburt, given an edginess that I have not seen in this character before, and his dreadlocks an interesting contrast to the formality of the job.

Katurian’s brother Michal, who has a learning disability was played respectfully and with lovely openness by Colin Gilligan.

The final three actors play The Mother, The Father, and The Child, which actually means, several, mothers, fathers, and children. Great work from Kate Naunton Morgan and T Mutta Beilby as the parents, and fabulous variety from Arthur Brown playing three very different young children, with beautiful vulnerability. 

While not a “fun night’s viewing”, this expertly crafted drama captivated its audience. The Pillowman is a great show to watch.

Kimberley Shaw