Reviews

Theatre that educates and puts its audience in an empathetic position for the suffering, joy and triumph of another is what makes the performing arts so special. Within 60 minutes, you can leave the theatre with a newfound understanding of an issue, a person, a cultural way of life. When we learn, we grow. What is the matter with Mary Jane? is a beautiful illustration of the power of theatre in changing lives. The audience is given keen insight into the real-life story of Sancia Robinson’s battle with anorexia and bulimia.

You don’t have to be Einstein to realise Adelaide audiences are enjoying St Jude’s Players current production. Actor-turned-playwright Tom Griffin’s Einstein And The Polar Bear is another success for this enduring seaside theatre company.

The SA Light Opera Society’s latest effort is a modestly scaled, but passionately performed  presentation of the perennial Gilbert & Sullivan favourite which, despite some odd rough edges, is likely to please fans of this songwriting team.

Production design is minimalist, but the few sets are painted in a strikingly detailed style by Monty Clements & Carolyn Adams, and together with the Cyndy Trezise’s boldly colourful array of costumes, The Mikado’s larger than life Japanese setting is vividly established.

As the overture suggests, The Marriage of Figaro is fast and fun, all the events of the frantic day ahead evident in “bubbling rhythms and cascades of instrumental laughter ... that capture the spirit and pace of the work” (Peter Bassett). That pace and Mozart’s passion and sense of fun are the essence of this most entertaining production directed by Sir David McVicar.