Reviews

Following on from their success with Kiss Me, Kate, G.C.L.T. is presenting another golden lldie. Hello, Dolly! was first produced on Broadway in 1964 winning ten Tony Awards and playing for 2,844 performances, receiving three Oscars when the movie was released in 1969.

Australia first met Dolly Gallagher Levi in 1965, when the Australian tour opened in Melbourne.

In this production, the title role is being played by Amy McDonald with all the wiley charms befitting the lady. As the long-suffering Horace Vandergelder is Gold Coast regular Grant Ebeling.

A joyous cast, a hard-working ensemble and an on-stage band give Cole Poter’s High Society a big jolt of adrenaline in Villanova’s final production for the year. Unlike the MGM movie, which was set in the 50s this 1997 adaptation takes it back twenty years earlier and allows for the inclusion of a swag of Porter songs from that period, and some stunningly elegant gowns.

The most striking aspect of this production is the performance of Perci Moeketsi as Nelson Mandela. He beautifully captures the grace, calm and vision of the man who went from prisoner to President.

Born in South Africa, he was a young child when Mandela was released from prison and benefited from the new educational opportunities that a post-apartheid regime offered him.  

The pride he feels in portraying this role is very evident.

Overall the production is part musical, part dance and part documentary in style.

‘Sutra’ in Sanskrit means ‘string’ or ‘thread’. In the extraordinarily dynamic OzAsia Festival production of Sutra, Belgian choreographer Sidi Larbi Cherkaoui certainly connects with his audience, masterfully threading together dance, martial arts, music and sculpture. This piece is celebrating its tenth anniversary since first being performed at Sadler’s Wells. It has toured the world and it is not difficult to see its appeal.