The Persians

Aeschylus’ The Persians was written in 472 BC, and is the oldest surviving play in western literature, but the themes of this show and its look at the human cost of war and the peril of imperialism has modern relevance and this modern adaptation by Ellen McLaughlin is fresh and vibrant and help speak to a contemporary audience.

Hayman Theatre’s The Persians maintains elements of ritual, and the choreography and teamwork of their Greek Chorus, dressed in modern men's business suits (costume design is by Megan Mak) pays homage to the original staging as does the makeup of white faces suggesting the original masked performers. The chorus have excellent teamwork and move and speak with choreographed grace. Excellent performances from Annalisa Cicchini, Tom Ford, Kate Naunton Morgan, Thomas Cartwright, Jesse Vakatini, Toby Shephard and Jude Soussan.

Tiandra Seal, a striking redhead, brings elegance and regal bearing to the role of widowed and troubled Atossa. Zoe Garciano demands attention as the herald, the bearer of unbearable news, her dishevelled appearance and clearly disturbed countenance a striking contrast to others on stage. Adam Gannon plays Darius, ruler come demigod, summoned from the grave to reflect on the futility of their battle - a moving and intelligent characterisation. Rhys Healy is defeated leader and heir Xerxes, a tragic hero bearing survivors’ guilt and complex emotions - well portrayed.

Dialogue throughout is accompanied by an almost continual series of tattoos on drums provided by sound designer percussionist Alison Mack, a lovely blend of traditional and modern. 

Topaz Knodel’s set design uses the full depth of the shallow Hayman Theatre stage, essentially a floor design, in green (repeated in Michelle Mak’s costume), with further atmosphere created by Isla Simeoni's highly emotive lighting design.

Humphrey Bower’s directorial hand is clever and strong with this young cast obviously knowledgeable about this style and delivering dialogue with clear Intention and understanding.

Great to see a classical and important play brought to a modern audience in a coherent and easy to watch production. Well worth the look for theatre students and those who enjoy intelligent drama.

Kimberley Shaw