Reviews

Kaye Tuckerman’s Broadway Bound (But Not Gagged) was one of the best shows I have seen, not only at this year’s Adelaide Cabaret Festival but one of the very best so far for this entire year. I have written a rather lengthy review for this show, partly because, for many, the extremely talented and gracious Kaye Tuckerman is not as well known as others. Furthermore, her one-woman show has more to say and is more insightful about the reality of being a contemporary professional working actress in New York than anything I have recently seen.

In June 2018 Bobby Fox was playing Charles Guiteau, who assassinated US president James Garfield, in Assassins at the Sydney Opera House. On the opening night he, almost inexplicably, but quite literally, broke a leg and found himself out of the show, laid up with an ankle injury. The enforced rest caused a period of introspection for Fox, who has been in consistent demand in the Australian Musical Theatre scene since his emigration to Australia in 2003. This hiatus from work resulted in a longing for his home town of Longford, Ireland and the culture he grew up with.

Once again, Ballina has presented an Essgee adaptation of Gilbert and Sullivan at its best.

This production was full of the fun and hi-jinks one has come to associate with this type of show and the audience loved it.

With the leading lady battling a throat infection, the cast all rallied and the audience enjoyed the gallant performance.

To quote the text, this may be nonsense, but it’s ‘clever nonsense’.  Of course, Travesties is not nonsense at all.  In an absurdist, witty, erudite and polemical fashion Tom Stoppard generates fast, funny and articulate debate among his characters about war, art and revolution – and, in passing, how we wish we could rewrite our own past.  A serious play with a light, light touch.