NaGL – Not A Good Look

NaGL references many of the iconic elements of absurdist theatre; the zany language, the representation of mundane domestic existences, and the futile and repetitive nature of daily routines that reinforce a sense of a lifeless existence. This play goes further with its criticism of, and cynicism towards, a multicultural Australia – a reality that is more difficult to live than to conjure up culturally.

However, this production frequently falls short of convincingly making its point, barely hitting the note and register that often gives absurdist theatre its pathos and biting edge. The text offers limited exploration of the issues it raises; marriage, domesticity, racial tolerance, family dynamics and generational differences.

The performance has some imaginative interpretations and contextualises the action in a boxing ring. This punctuates the play into small vignettes that provide a glimpse into the painful realms of the characters. The two couples portray a relationship with one another, and each other, which is fraught with ambivalences. Their interactions are somewhat unpleasant to witness and they are haunted rather than tempered by the ethereal presence of Uncle Chuck.

This production would have benefitted from a more acute use of timing, a greater and more varied play with intonation and an improved sense of dramatic pause. This is a challenging genre to tackle and its true spirit is equally difficult to deliver.

Patricia Di Risio