Nelken (Carnations)

Tanztheater Wuppertal welcomed choreographer Pina Bausch as dance director back in 1973; with this appointment began 36 years of collaborations that transformed the way the world viewed this genre. She gave dancers a voice and developed a combination of theatre and dance that was her personal social commentary. Although Bausch passed away in 2009, we are blessed that this company has resurrected this exceptional piece.

The non-traditional way this piece flows adds to the awe we feel, as the audience watches the unravelling of personalities fighting to be a part of something important. Souls wander through a stunning stage full of pink carnations as they look for acceptance, purpose and love. It is visually breathtaking and surprisingly humorous. With so many themes and styles it is though you are watching several shows concurrently. Emotions are at an all-time high, dancer’s bodies’ shift from being human to animal, from anger to despair, singularly and collectively conforming to a world that demands unity. 

Choreography is regimented at times, repetitive as to establish conformity, but aesthetically stunning. A myriad of human emotions is showcased through the body and voice. Music complements the movement, but is not the focal point. Carnations are strewn across the stage, with the action happening amongst them. The flowers are uprooted and scattered over two hours as the dancers are liberated and appreciated. However it is fair to say that some of us were questioning the messages conveyed. I was hoping they might sell ‘Pina Bausch for Dummies’ in the foyer, so I could clear up my confusion.

If you like tradition, then this show will push your boundaries. Contemporary and confronting, Pina Bausch’s pioneering production of contemporary dance will move you as it explores concepts formerly untapped.

Kerry Cooper

Photographer: Oliver Look.