The Motion of Light in Water

Using the title of established sci-fi writer Samuel R. Delaney's memoirs, this play is the result of ideas thrown around in a collective designed to bring to the stage experiences taken from his personal life, including his wife writer Marilyn Hacker, and segments of the futuristic novel that eventually put him in the spotlight, Babel-17. It was not intended to enact out an adaptation of both these stories but moreso provide further insight into his illustrious writing talents using these above two elements as a premise. As a result we find ourselves jumping back and forward through time with an imaginative treatment of reality combined with unreality.

Being a passionate follower of sci-fi and fantasy, I found this quite intriguing but there were times when I had to concentrate intently with all the shifting around, particularly with the plot in the futuristic scenes, whilst also gradually coming to terms with the fact I would appreciate this play more if I had read the book.

Some of the cast need more direction though Ray Chong-Nee's portrayal of Delaney was moving and powerful; his wife, played by Olivia Monticciolo, including additional roles, convincing and well chosen for the part. The play includes some provocative scenes that would appeal to the gay community who like to shout they're 'out' and there are also keen references to what life may be like in the future or else, to quote famous author William Gibson: 'The future is already here. It's just unevenly distributed'. Mathew Adey's production design is simple and effective including well-executed AV effects from Andre Vanderwert.

Though a little muddled on first impressions and needing an edit or three, this project is a fascinating look at the life and mind of Delaney and it's certainly refreshing to see sci-fi brought the stage; and, yes, the team's intentions worked for me: Babel-17 is next on my reading list.

Brian Adamson

Photography by Lachlan Stuart