Molière’s Tartuffe

Queensland Conservatorium’s latest production of Tartuffe features the third year acting students in an energetic and delightful performance that has the audience in stitches from start to finish. The cast, with a palpable enthusiasm, attacks Molière's classic with gusto. Writer Justin Fleming has infused the adaptation of the material with modern vernacular and a vibrant sense of humour, all while staying true to the essence of the original.

Under the direction of Todd Macdonald, the cast flourishes, displaying a remarkable level of trust and camaraderie on stage. This nurturing environment allows for bold risks to be taken, resulting in standout performances across the board. Stage Whispers was invited to the first performance, which featured Charlotte Pitt bringing great physical comedy to the quick-witted Dorine, while Jade Jose's portrayal of Madame Pernelle is comedic brilliance; one can imagine her shining in the role of Oscar Wilde's Lady Bracknell in future. Sebastian Skubala brings depth and believability to Cleante, and Michael Proberts takes daring risks in the titular role of Tartuffe, delivering a performance that is reminiscent of Barry Keoghan in Saltburn.

Supported by the cast’s enthusiasm for the work, Fleming's new adaptation of the script breathes fresh life into the timeless tale. Particularly noteworthy is the ingenious twist at the climax. The king character is swapped out for Shakespeare, quite literally taking poetic license in a highly amusing deus ex machina that’s packed with quotes from the bard’s works and injecting the production with a dose of theatrical whimsy.

As the plot unfolds, one cannot help but draw parallels between the character of Tartuffe and contemporary figures, from modern evangelicals to corrupt politicians cloaked in piety. Molière's exploration of hypocrisy remains starkly relevant today, serving as a poignant reminder not to be deceived by those who masquerade as virtuous leaders.

The staging is cleverly executed, with impeccable timing that enhances the comedic elements of the play. Each scene flows seamlessly into the next, keeping the audience engaged and entertained throughout. Keith Clarke’s lighting design and scene changes in full view of the audience brings some Brechtian fun to the staging too.

Queensland Conservatorium's Tartuffe is a triumph of comedic theatre, blending humour, wit, and social commentary. It's a joyous romp that not only entertains but also provokes thought, reminding us of the dangers of being deceived by wolves in sheep's clothing.

Kitty Goodall

Images: Charlotte Pitt as Dorine and Ethan Waerea as Orgon, & Angus Freer as Figure in Judgement.