Reviews

Originally billed as 'an improbable farce in three acts' when it premiered during the London Blitz of 1941, one cannot help but reflect on just how far away this play resides - from a typical farce. In fact it seems farcical to call this deliciously bitter, acerbically, witty script a farce. While the paranormal premise leans into the absurd – this is not your run of the mill comedy of errors.

Place this 76 year old script in the right hands – and it remains uncommonly, ridiculously sophisticated by anyone's standards.

From the moment I entered the theatre I felt wrapped in a sense of suspense. The neat set design and the actor who entered the stage so quietly the audience didn’t notice her until she started to speak. I expected an experience like nothing I’d ever had before.

I have been a big fan of Victorian Opera for many years now. Their programs are innovative, often breaking new ground and are always cast from strength.

Such was the case with ‘Tis Pity, an operatic fantasia/song cycle on the world’s oldest profession. This included ten vignettes moving through the ages. International cabaret star, Meow Meow, was at the peak of her powers. Her voice was unfailingly beautiful whether soaring in the stratosphere or plumbing the depths. She moved beautifully and was always expressive.

600 Seconds, presented by The Blue Room’s Summer Nights, is a wonderful ‘taster plate’ of Fringe World Theatre. In six ten minute shows you get a diverse sampling of genres, styles and feelings.

Presenters are given one simple rule. You have 600 seconds. There are two different line-ups on alternating nights, and the audience has no idea what they are going to see.