Reviews

One hundred and forty five minutes are simply not enough! I confess to seeing these exciting young performers in 2020, and at that time, their showmanship and finely honed harmonies were wonderful. How could this be made even better? By adding a spectacular nine-piece backing band (for all performances, except for those in Kangaroo Island and Victor Harbor), this already sensational group delivers a Las Vegas-worthy performance, jam packed with Rat-pack glamour and Jersey Boys style allure, performance and charisma.

Joshua Harmon’s plays are ‘confronting’, or ‘provocative’ as we saw with his previous Bad Jews.  Director Gary Abrahams reminds us of that in his excellent program notes.  Admissions may make you squirm, get antsy, or, at best, feel uncomfortable – even while laughing.  It’s a play about the racism that white folks don’t even know they have – and the ‘white privilege’ that, really, they’d rather not give up.  It’s an American play, but its general line of attack – and at

Part of the enchantment of Adelaide’s Fringe is the diversity of performers coupled with venues that allow going out to be a multi-faceted event. This is one such show. The Auditorium at Diverse-City is a Local Heritage listed building and has been used for decades as a venue providing licensed bar and food facilities, so for this event, patrons chose from a 'Show Only' or 'Meal and Show' ticket.

‘Mad Woman’?  Should it be ‘Sad Woman’?