Reviews

This was a polished production of the world’s most popular opera. I’ve seen innumerable productions over the years, and this was one of the best.

The set was impressive; a dirty town square with roller doors for entrances to the cigarette factory and other areas. The set remained for the whole opera and worked very well. A Combi Van was driven on to become a pop-up café for act 2, the smuggler’s lair became a warehouse in act 3 and the town square was outside the arena for the bull fight in act 4. Very clever.

This bright, fast-moving production is another accomplishment from Supa. With direction that makes the most of the set (designed by Chris Zuber and Nick Valois) and tight musical direction from a band of six (musical direction by Elizabeth Alford), the audience is drawn into the streetscape of Avenue Q and its human and monster residents. This is not Sesame Street by any means, discussing sex, racism, political correctness, apathy and the difficulties of adult life.

Heidelberg Theatre Company has done an apt job of bringing Jane Austen’s beloved classic to life on stage. On opening night, the house appeared full and the production seemed well prepared.

The show opens with a jovial scene of Regency-period dancing. The cast showed good mastery of Dianne Mileo’s choreography. The men looked particularly dashing in their officers’ uniforms. The Fortepiano added atmosphere and authenticity to the production.

Jennifer Jones (Sarah Sutherland) and Bob Jones (Neil Piggot) sit under a night sky, somewhere in small town USA.  It’s so quiet ‘you can hear the clouds passing’.  Their stilted conversation suggests at first a marriage that has, maybe, run its course, but you sense that there is something else, something sadder than lack of communication.  Jennifer, we’ll come to understand, is, in her own quietly desperate way, heroic, and there’s more to Bob than a blunt curmudgeon.  They are interrupted by their new neighbours, Pony Jones (Elsa Caldwell