Reviews

Blood on the Wattle

Written and directed by Geoffrey Sykes. Richard Wherrett Studio, March 25 and 26 and Chippen Street Theatre, Chippendale, March 31-April 9, 2022.

Playwrights often have a lot to say. Sometimes they try to say it all at once. Sometimes that can be a little confusing, a little overwhelming, even a little disturbing. Such is the case with Blood on the Wattle. It touches on tawdry party politics, climate change, refugee detention, racism, discrimination, misogyny, stalking … even rape. Significant themes. And theatre is a good way to air them. But packaging them into one play means a fair bit of manipulation. And a fair bit for the audience to navigate.

The Bright Side of Life

Written and directed by Siobhan Wright. Roxy Lane Theatre, Maylands, WA. March 25-April 10, 2022

The Bright Side of Life is a World Premiere comedy, set in an aged care home, written, directed and unexpectedly starring Siobhan Wright, playing at Maylands’ Roxy Lane Theatre.

The story follows Julia Casey who enters the home, ostensibly for a few weeks, while her son Paul organises a granny flat to be built in his garden. The play follows her interactions with the other women in the home and explores the stories of the other residents, Bright and funny, but touching on some serious issues, it offers some lovely roles for mature performers.

Blithe Spirit

By Noël Coward. Sydney Theatre Company. Drama Theatre, Sydney Opera House. Mar 21 – May 14, 2022

Theatre makers often say that after lockdowns we need something light and bubbly to cheer us up.  I’m not so sure, given some of the crimes recently staged in the name of laughs, including a couple at the Sydney Theatre Company,

Page Rattray’s exquisitely comic version of Blithe Spirit is not among them.  Interestingly, Noël Coward wrote his acclaimed farce during his own lockdown in the depths of wartime in 1941 (and took just six days to complete it).

The Phantom of the Opera

Music: Andrew Lloyd Webber. Lyrics: Charles Hart. Additional Lyrics: Richard Stilgoe. Book: Richard Stilgoe & Andrew Lloyd Webber. Based on the novel by Gaston Leroux. Opera Australia. Handa Opera on Sydney Harbour. Director Simon Phillips. March 25 – April 24, 2022

All afternoon weather warnings had interrupted every ‘Drive Time’ radio program. Heavy rain had pelted down in intermittent bursts. Storm clouds still hovered menacingly. Yet from 5.30 until 10.30pm not a drop of rain fell on Sydney Harbour for the opening night of this, the very first open-air performance of The Phantom of the Opera in 35 years.

Les Misérables

Music by Claude-Michel Schönberg. Lyrics by Herbert Kretzmer. Original French text byAlain Boublil and Jean-Marc Natel. Northern Light Theatre Company. Shedley Theatre, Elizabeth. March 25 to April 9, 2022

Les Misérables is a juggernaut of a musical! Originally a novel by Victor Hugo, written in 1862, it was adapted as a sung through musical by Claude-Michel Schönberg and Alain Boubil in 1980 and has become a popular choice for amateur companies.

For the few people who don’t know, Les Mis is the story of Jean Valjean, a French peasant, and his desire for redemption, released in 1815 after serving nineteen years in jail for stealing a loaf of bread for his sister's starving child.

Canary

Written and performed by Isabella Perversi. Melbourne Fringe ‘Rebound’ online. March 2022

Isabella Perversi is an interesting performer – her background is in Fine Art and Music at Melbourne’s VCA& Conservatorium, and her CV is an eclectic mix of dance (most recently for Opera Australia), film and TV – including performing in self-penned and self-produced shorts and plays at the Melbourne Fringe Festival and Edinburgh Fringe Festival.

Maria Stuarda

By Donizetti. Opera Australia. Joan Sutherland Theatre, Sydney Opera House. March 23 & 25, 2022

The reign of Lyndon Terracini as artistic director of Opera Australia, from which he retires next year, has been notable for his use of so many celebrated international singers.

It’s sometimes spectacular for audiences; but not too favoured by Australian singers.

The Babushka Book Club

Queensland Cabaret Festival. Little Match Productions. Judith Wright Centre, Brisbane. 25 & 26 March 2022

Presented by Little Match Productions, The Babushka Book Club is a fabulously funny cabaret combination of laughter and music, developed by its wickedly witty leading ladies – Alicia Cush, Judy Hainsworth and Laura Coutts – alongside director Bridget Boyle and Penny Challen, with piano and musical arrangements by Luke Volker (and Alicia Cush). This talented threesome have been performing on Brisbane’s cabaret and music scene for many years and their stage experience shows in their command of an audience.

Adelaide Cabaret Festival 2022 Variety Gala

Festival Theatre, 25 March 2022

Opening with a splendid Welcome to Country from Isaac Hannam (pictured above) and his skills on the yidaki, the curtain rises to reveal a decadent stage overflowing with talent: seated in velvet armchairs amongst the extensive band, are the evening’s performers, sipping drinks, just visible in the cabaret club lights of the Festival Theatre stage.

Happy End

Music: Kurt Weill. Lyrics: Bertolt Brecht. Book: Elizabeth Hauptmann. English Adaptation Michael Feingold. Victorian Opera. Arts Centre Melbourne, Playhouse. 23 – 26 March 2022

Salvation Army gal falls for gangster.  No, not Guys & Dolls (1950, movie 1955), based on Damon Runyan stories. Elizabeth Hauptmann based her ‘book’ for Happy End, apparently, though very, very loosely, on GB Shaw’s 1905 Major Barbara. 

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