Of Mice and Men

Of Mice and Men
By John Steinbeck. Stirling Players. Directed by Tim Riessen (assisted by Sharon Thomas). Feb 10-25, 2022

Stirling Players’ stage presentation of John Steinbeck’s classic, Of Mice and Men is attracting much attention, including some sell-out performances, and features some strong performances.

At times performing on an almost bare stage, the longest scene, set in the bunkhouse of a ranch, features a fully realised and very impressive set, realised by Pauline Gibb. The production is very emotively lit by John Woolrych, and features 'of the era' costumes by Merri Ford - although I couldn’t help thinking that perhaps the dresses worn by Curley’s wife were a little too beautiful for a woman who dreams of having lovely clothes.

Great rapport between the two leafing men. Nigel Goodwin was strong and believable as George Milton, intelligent but uneducated, who shares an unlikely friendship with the mentally disabled Lennie. Ryan Perrin was impressive as Lennie, giving a sympathetic and realistic performance that endeared him to the audience. Some of the production’s strongest moments are when these two are alone on stage.

Solid performances from their fellow workers, with Rex Gray giving one of his best performances of recent years - and very unlike his usual roles, as Candy, Phil Bedworth convincingly unnerving as Curly, Martin Bowen bringing authority to The Boss, Steven Hounsome likeable as Slim and Darren Goodison convincing as Carlson. Geraldo Rodriguez makes an impressive Australian stage debut as Whit, as does Itai Gurra as Crooks in a second act appearance that is worth the wait.

I must make special mention of the lone female performer. Nicole Miller plays the one female role - who isn’t even given a name, known only as Curley’s wife. Steinbeck’s treatment of women in the novella has been described as misogynistic and Steinbeck claimed that Curley’s Wife was more a symbol that a character. Despite this Nicole Miller’s portrayal gives this role humanity, dignity and meaning during her brief stage time. Perhaps more than the novella itself.

A moving production that clearly resonates with its audience - although at times, pace could be more slick and there were moments, especially in some of the scenes with many characters on stage, when the show appeared to lose its focus.

An excellent choice for those who love some heavier drama and a must-see for anyone studying the novella.

Kimberley Shaw

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