Reviews

Blak Yak's Saucy Jack and the Space Vixens is completely immersive theatre, as Phoenix Theatre's venue - The Memorial Hall, in Hamilton Hill, is transformed into cosmic cabaret bar, Saucy Jack's. Played essentially in the round, the audience become patrons at the bar and part of the action.

This is a fabulous looking production, much of this thanks to stunning costumes and wigs by Lynda Stubbs. Gorgeously and gloriously glitzy, the costumes are a central part of the plot and a treat within themselves.

Nash Theatre rounds out their season of Murder They Wrote with one of the Farndale Avenue Housing Estate titles in what has become a very popular series for amateur theatre companies worldwide. Basically it’s a poor man’s Noises Off where an amateur group put on a play and everything goes wrong.

This production of Summer of the Seventeenth Doll completes Villanova’s Doll Trilogy which they began in 2013 with Kid Stakes and followed in 2014 with Other Times. We’re back in Melbourne in a Carlton terraced boarding house of the fifties. A time when there’s a nightly six-o-clock swill at the pub, where two-up is played in the back lanes, and there’s weekly community singing at the local Town Hall.

Oddly enough, the story of Jackie Onassis’ ultimately reclusive aunt and cousin living with cats in an East Hampton mansion makes a good musical.  At least in the first half.  

Stage-struck Edith Bouvier Beale, the older, loves to dominate her parties with a song, even as she plans the 1941 engagement do of her daughter, Edie, and promising Joe Kennedy junior (Simon McLachlan).  Beth Daly plays Edith as a fine patrician bulldozer and Caitlin Berry brings a desperate grace to young Edie who longs to leave Grey Gardens and hit the boards as well.