Madame Butterfly

I saw this production of Madame Butterfly in 2007 and I’d like to report that it still works well. The sliding doors were used effectively to reveal or close off parts of the stage. The pebble pathways downstage contributed to an authentic look.

The title role is one of the most demanding in opera, requiring the heroine to evolve from a naïve girl to mature woman, while still a teenager. Very few can achieve this. Antoinette Halloran, whom I saw in 2007, this time struggled with the naïve aspects of the role and her love duet in act 1 had too much edge. After an impressive “Un Bel Di” in the second act, her most effective work was when she learnt that her husband wouldn’t be returning. This restrained singing was beautiful and her timing was exquisite.

Her main problem was trying to get some response from her Pinkerton. Jason Wasley has the voice for this role and was in fine fettle, but he appeared bored at the prospect of his wedding night and mildly upset when he realized the damage he’d caused at the end. This was highlighted when playing opposite Roger Howell as a sympathetic Sharpless, a role he has played so many times before.

Caroline Vercoe used her beautiful voice well as Suzuki and Jacob Caine was perhaps not as smarmy as other Goros I have seen, but did well. I particularly noted young Steven Marsh in the small role of the Commissioner.

The chorus and orchestra did well, though there were occasional timing issues. However, the large orchestra often overwhelmed the singers and perhaps surtitles should be considered, even when the English version is used.

The costumes worked well and the lighting was effective. I liked the direction but having Kate Pinkerton wander around the house poking her nose into every nook and cranny while Suzuki, Pinkerton and Sharpless were singing a dramatic trio was a mistake. She then sang her first words to Suzuki on stage when the score states this is a continuation of a conversation they were having in the garden.

Ultimately it was a very dramatic night at the opera and I’m sure this production will continue to delight Melbourne audiences for many years to come.

Graham Ford

Images: Roger Howell as Consul Sharpless (L), Antoinette Halloran as Madame Butterfly and Chorus & Antoinette Halloran as Madame Butterfly. Photographer: Robin Halls.