Macbeth

The Scottish play has undergone a wicked witchy makeover in this latest production staged at Brisbane’s La Boite Theatre. Courtesy of the vision of co-directors Courtney Stewart and Lisa Fa'alafi and the dramaturgy of Sue Rider, this Macbeth is stripped back to the narrative’s bare essentials, resulting in an exciting, fast-paced tale of manipulation, ambition, and destruction. This treatment of the work highlights the ways in which the women use their words to influence those around them, while the men use violence. It’s a thought-provoking contrast that’s sure to spark some post show discussions.

A mere cast of three - Roxanne McDonald (Witch 1, Duncan, Porter), Mel Ree (Witch 2, Macbeth, Murderer) and Nicole Hoskins (Witch 3, Banquo, Malcolm, Macduff, Lady Macbeth) - put every ounce of energy into bringing each character to life. They rise to the mammoth task with flair, showing outstanding teamwork, good timing, and compelling presence in their roles. On opening night I especially enjoyed Roxanne McDonald’s pacing and charisma, Mel Ree’s emotional range and physicality, and Nicole Hoskins’ characterisations and risk-taking.

Visually this show is a treat. Costume Designer Frances Foo’s work makes great use of military pieces as a metaphorical tool, particularly the crown of bullets. The layering and silhouettes of the costumes are reminiscent of sci-fi works such as Star Wars and Dune. Foo’s work is also very useful in creating a visual shorthand when performers are switching between roles.

Lighting DesignerTeegan Kranenburg alongside Composer and Sound Designer Brady Watkins’ work is exceptional. The atmosphere they create together is epic and cinematic. Especially stunning are the opening sequences, the battle and swordfight scenes, and Macbeth’s visits with the witches.

The direction and set design do well to overcome the challenges presented by staging a show in the round. Set Designer Lisa Fa'alafi and Set Realiser Freddie Komp have created an imaginative, versatile, and visually compelling backdrop for the performance. The use of textiles, the cauldron hatch in the centre of the stage, and the gloss black paint work against matt black are all extremely effective. It’s always a thrill to see the work of a creative team that thinks outside the box.

This production is highly recommended for people who enjoy seeing Shakespeare reimagined. It may be a little challenging to follow if you’re unfamiliar with the original Macbeth storyline. The show is exciting, epic, and visually stunning while carrying an important message of the dangers of emboldening violent and ambitious men.

Kitty Goodall

Photography by Farley Ward, Shutterstorm Photography