Macbeth

This production is a mature and highly refined exploration of the text. The Australian Shakespeare Company exhibits profound knowledge and understanding of the text and the author and delivers an absolutely gripping performance. Elston has taken a very traditional approach to the staging without ignoring its capacity for contemporary appeal. 

The set is particularly effective and refreshing. The design allows the natural setting to be exploited more effectively and to feature more in the performance. The exceptional command of the staging had characters appearing and disappearing almost like magic. The often-clever sleight of hand choreography highlighted the mystical and eerie aspects of the play. The bloodletting in this play is also not downplayed and the staging works effectively to convey the brutal nature of the violence without being gratuitous or clichéd. The battle scenes are portrayed via some excellent sword fights and the attention to detail in these scenes is particularly evident.

The high level of refinement in this production can also be seen in the extremely elegant and evocative costume design (Karla Erenbots). The costuming points to the more traditional context of the play while also allowing space for a more contemporary edgy contour to the aesthetics. The approach to the witches was also very ingenious as the costuming blends into the staging and allows them to make spine chilling appearances and disappearances. They are also imagined not only for their fearful or unattractive elements but also for their deceptive allure. 

As an ensemble the performances are all very strong and very focused. Each character is given adequate space and attention to display the key narrative developments that make this play such an incredible study of the corrupting influence of unadulterated ambition. Hugh Sexton as Macbeth is formidable, and Nicole Nabout as Lady Macbeth is equally impressive. They capture the fiery passion between the couple and they way their grab for power is intertwined with their relationship dynamic. Drawing out such aspects allows the audience great insight into the text and is part of what makes this production so gripping. 

The sound and lighting effects were also very well-conceived and timed. They especially reach a fabulous zenith in the closing moments of the show to offer the audience some breathtaking imagery. This is a stirring and carefully curated production with a first class display of skill and technique.   

Patricia Di Risio