Lost in Yonkers

Neil Simon’s American classic Lost in Yonkers may be Roxy Lane Theatre’s most outstanding production to date. This well directed, intelligently performed trip to New York during World War II is charming healthy sized audiences.

When their widowed father is forced to work away from home, teenaged Jay and little brother Artie are sent to live with their little known overly strict Grandmother and their intellectually challenged Aunt Bella.

Played on a nicely appointed box set, designed, and built by Jim Chantry and decorated by Karin Staflund and Charlotte Weber, the set and properties feel of the time and tell their own story. Sound and lighting design by Kirsten Halford-Bailey support the show nicely, while Celeste Lopez’s costuming is well chosen for both character and era.

Protagonists Arthur (Artie) and Jacob (Jay) are played with beautiful teamwork and fraternity by Daniel Keenan and Toby Shepherd; Daniel gives Artie lovely enthusiasm and depth beyond his years, while Toby’s debut outside Curtin is very welcome - an expertly drawn portrayal.

Sarah House very successfully ages up to play the formidable Grandma Kurnitz, with wonderful immersion and beautiful hints at inner tenderness. Soren Healy’s portrayal of Bella is sensitive, moving and thoroughly convincing, making this delightful girl/woman an audience favourite.

Zane Alexander bookends the production in the first and last scenes, quickly giving his role as father Eddie nuance, and believability. Geoff Miethe has strength and moxie as Uncle Louie, of questionable employment, while relative newcomer Julia Webster completes the cast nicely in the challenging role of Aunt Gert.

A great sense of family and a true ensemble feel, this show, though often very sad, is presented with warmth and tenderness. A very well told story that deserves to be seen. If you’ve never been to Roxy Lane, or it has been a while, this is the perfect time to check them out.

Kimberley Shaw