Reviews

In 1988 David Mamet really let rip with this savage satire on the greedy gatekeepers of Hollywood and all their banal, money-making formulas.

These Hollywood gladiators attack with the same spitfire language and obscenities as those real estate salesmen who tear each other apart in Glengarry Glen Ross, Mamet’s other classic of the time. A Hollywood player himself, Mamet today is a touch more benign about the place.   

Deceptive Threads depicts aspects of the comprehensively researched family, and lived personal, history of David Joseph.  It is an exquisitely crafted piece of theatre made by a number of exceptionally skilled practitioners and seamlessly linked with insightful direction by Karen Berger.   

As a sincere, genuine, moving work, full of heart and integrity, it brings with it strong and timely messages about attitudes to migrants and refugees.

The timing of director Michael Eustice in premiering Don Parties On in South Australia could not have been better planned. Quite apart from recent events in the United States that you may have heard about, the home-grown political scenario depicted on stage has a particular resonance these days that only the passage of time was capable of creating.

With weird and unforeseen synchronicity this play opened on the day we learned that Donald Trump would be the next President of the United States.  The play’s characters, Maggie (Olivia Monticciolo) and Grey (Matt Hickey) are thwarted, defeated and hope-less, so poisoned by alienation and failure that they can no longer identify or blame the causes – except themselves.  There may be ‘no more exciting time to be Australian’, but not for these two.  They’ve been left behind.  Worse, we sense they always would be.