Reviews

The Glass Menagerie

By Tennessee Williams. The Ensemble Theatre, Sydney. Directed by Liesel Badorrek. 21 March – 26 April, 2025

The first thing you notice is the wallpaper. It says ‘1930s America’ most of the time, but in the middle there’s a giant portrait of a handsome man that has started to peel from the wall and, in a remarkable effect, collect in a large puddle on the floor. It’s part of a brilliant set design by Grace Deacon that includes a large outside fire escape and a tiny all-glass toy set, the menagerie of Tennessee Williams’ title. 

Sunday Roast

By Thomas Sainsbury. Bad Company Theatre. Directors: Milla Chaffer and Finn Carter. Sound Design: Finn Carter. Tech operator and Stage management: Katrina Green. The Hidden Theatre, Tasmania. 21-29 March 2025

Families can be awful. Around the dinner table, we are often at our worst, reverting to childhood roles, throwing up long held resentments and uncovering family secrets. Sunday Roast by Thomas Sainsbury is a black comedy exposing a grotesque family at their worst. In a parody worthy of Aristophanes, the worst excesses of the privileged and corrupt are exposed.

The Moors

By Jen Silverman. Directed by Joel Horwood. Lexi Sekuless Productions. The Mill Theatre. 16 March – 12 April 2025

In this weird and twisted little queer-safe story, two sisters live in a cold and rotting house in 1800s Yorkshire, in total, complete and utter isolation. Oh, except for an indeterminant number of servant (one? Two? Three?), an indeterminant number of brothers (none? One? One, but dead?) and one morose and despairing mastiff. Obviously, they don’t really count. Then one day, new meat arrives in the form of one hapless governess and one very sweet anthropomorphic moorhen.

Sister Act

Music by Alan Menken, lyrics by Glenn Slater, book by Cheri Steinkellner & Bill Steinkellner. Presented by John Frost for Crossroads Live Australia, Shake and Stir and Power Arts in Association with Jamie Wilson. Adelaide Festival Theatre. 26 March – 19 April 2025

Deloris Van Cartier is an aspiring singer, auditioning to sing at a night club owned by Curtis, her married boyfriend, but instead witnesses her gangster lover shooting dead one of his men. Forced to hide from his henchmen, Van Cartier is placed in a convent that’s about to be sold to become an antiques store.

Freiburg Baroque Orchestra

Presented by Melbourne Recital Centre, 31 Sturt St Southbank Melbourne. Tuesday 25 March 2025.

The Freiburg Baroque Orchestra (Freiburger Barockorchester) consists of 29 musicians dedicated to preserving and promoting historically informed performance practice. The acclaimed orchestra was founded in 1987 and is based in Freiburg im Breisgau, Germany. Gottfried von der Goltz (violin) and Cecilia Bernardini (violin) are both the artistic directors, alternating the duties of musical arrangement for their concerts. As an orchestra and an ensemble they are widely sought after, often attracting renowned conductors, and they are currently in Melbourne offering three separate concerts.

Aryan

By Amanda Crewes. Directed by Amanda Crewes. The Actors Hub Theatre, East Perth, WA. Feb 28 - Mar 21, 2025

Set in an easy-to-envisage near-future, Aryan tells of a young couple living under a president-dictator determined to ‘make his country great again”. The latest endeavour in ensuring racial purity directly threatens their four-year-old son, a little boy with Down Syndrome.

Charlie and the Chocolate Factory

Unpublished
Based on the novel by Roald Dahl. Book by David Greig, Music by Marc Shaiman. Lyrics by Marc Shaiman and Scott Wittman. Directed by Madeleine Johns. Redcliffe Musical Theatre. Redcliffe Entertainment Centre. Playing March 21 – March 30, 2025.

Redcliffe Musical Theatre has taken this opportunity to give so many young performers a chance to appear on the big stage, as there are fifty-two performers in this musical. It is always more challenging when the storyline and main characters are so well known by the audience as they are in this case.

THE WET

Creators: Harley Mann and Circa Cairns Ensemble. Director: Harley Mann. Original lighting design: Johlian Gliindon. Reimagined lighting design: Morgan Maroney. Sound design: Circa Cairns and Guy Webster. The Alexander Theatre, 48 Exhibition Walk, Monash University. 21 March – 22 March 2025

I grew up in Far North Queensland and waiting for The Wet during endless months of increasing heat and humidity is a memory seared into my bones. The anxious consultations about the activities of ants, insects and wildlife, the joyous romp through the rain which always started just as we were walking home from school. Then, the consequences of so much rain including flooded creeks and our drinking water being contaminated and undrinkable made The Wet a feature in our lives for at least half the year.

Fighting

Writer/Director: Xavier Coy. New Theatre, Newtown, NSW. 18 Mar – 12 April, 2025

Fighting is not an easy play to watch, but it’s important that we do! Fighting is about bipolar, a mental illness that few people understand – apart from those who suffer from it. Playwright Xavier Coy is one of those people. He wrote the play shortly after being diagnosed. “The play is raw,” he says, “and by far the most personal I have written. I had to write it that way to … help the audience understand that we are not crazy.”

IF/THEN

Music Tom Kitt. Book & Lyrics Brian Yorkey. Lane Cove Theatre Company. Director: Lochie Beh. Musical Director: Stephen Dula. Pottery Lane Performance Space. 21 - 30 March, 2025

Lane Cove Theatre Company opens its 2025 season in a new, purpose-built theatre space right in the heart of Lane Cove. It’s an intimate space, with a small stage that is very appropriate for a production like IF/THEN that is a complex, thought-provoking musical.

Directed by Lochie Beh, IF/THEN is about decisions, choices, and where they might lead.

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