Reviews

Nunsense is musical comedy in its earliest incarnation; a revue combining disparate elements and which presumes significant audience involvement. The plot is flimsy: five nuns, survivors of a food poisoning incident, mount a show to raise funds for the remaining members of their religious community, still held in the convent freezer. The show is held together by the characters. Each nun has had hidden talent – singing, ventriloquism, dancing, comedy – but also a back story which makes the show more engaging than it might otherwise have been.

Performing at the Sydney Opera House won’t be the biggest concert of the year for Kate Miller-Heidke. That was - as you probably know - at the Eurovision Song Contest (which, according to organisers, was watched by 182 million people). Her new national tour takes the name of the song she sang for Australia, “Zero Gravity”. But that high-note of pop is just one of the many strings in Miller-Heidke’s metaphoric bow. This is one of the country’s most talented singers and composers at her best.

Award-winning queer comedy troupe Po Po Mo Co present their latest show, Flutter and Flounce, for the Melbourne Fringe Festival. It explores life’s more intimate moments through movement, including a passionate first date and farting in an elevator.

The show contains energetic pop and rap songs, with a bit of musical theatre to boot. I enjoyed the very energetic number from Chicago. Their Cats interpretation was far less creepy than previews from the up-coming movie.

Muriel’s Wedding – The Musical is a hoot and a half. Well, for the first half at least. If it loses steam in the second it’s because the plot takes a darker turn.