Reviews

Callum Straford is an engaging, amiable young bloke, who does sketches, stand-up routines, and sings his own songs, accompanying himself on piano or ukulele.  His material may veer briefly into satire, but mostly it’s about the trials and awkward interactions of contemporary life, such as an inept attempt to hook up at a party, a very decisive, even cruel dumping of a girlfriend, insomnia, the indifference of God, or talkback radio.  He is intermittently interrupted and corrected, to his chagrin, by a mentor/producer/director via the PA.  It’s the old self-referen

The Murray Music and Drama Club’s production of Happy Days is a nostalgia filled trip back in time. Based on the TV series of the same name, and written by the series’ creator, the show is good, clean, fun.

Central character Arthur ‘The Fonz’ Fonzarelli is convincingly played by Rp van der Westhuizen, in a well sung, highly charismatic performance that anchors the show well.

The 2021 Wynnum Fringe Festival boasted a talented line-up of local, national, and international acts performing in a range of venues in the Bayside suburb. While a library meeting room might not be a producer’s first choice for a play, in a way it seems quite fitting for Stephanie Ridings acclaimed one woman show, The Road to Huntsville.

“The best thing about being in a panto, is the prerogative to have some fun” sing the ladies of the Smugglers Cove Women’s Institute, in Garrick Theatre’s pantomime Treasure Island. The same thing can be said of being in the audience of a pantomime, especially one that is as nicely produced, well performed and funny as this one.