Reviews

This is the second production of Urinetown I have encountered and it was equally enjoyable. Being a university production, it was also even further over the top.

Everything about the production was high energy. Every member of the ensemble was fully engaged. Movements and dancing were strong and coordinated. There were no weak links here.

Avenue Q presents performers with the unique opportunity of working with puppets, as well as acting, singing, dancing … and doing things many performers would not necessarily do … on stage that is!

Using very jaunty puppet characters, and a handful of ‘real’ people, writers Jeff Whitty, Robert Lopez and Jeff Marx were able to make some pithy comments about such things as racism, homophobia, homelessness, unemployment, loneliness and marriage in lively tunes and suggestive lyrics.

Imagine Cormac McCarthy's The Road set in the Australian bush, and you have Yellow Skies.

Like the post-apocalyptic dystopic future (aren't they all since 9/11?) presented in The Walking Dead, the apocalypse brings out the worst in people. 'Hunters' pillage and kill to obtain ever-diminishing supplies. Even going as far as eating other survivors.

Noah (Aaron Trevaskis) and Glenn (Arli Faruk) lean on each other to survive and have to decide how to handle a malevolent intruder in their camp (Gabriella Imrich).

An excellent ensemble of multicultural performers work closely collectively to draw together and express the story of star crossed lovers who are both, perhaps a little surprisingly, Palestinian.

He, Rami (Osamah Sami) is a doctor who runs a medical clinic in the USA and she, Jomana (Helana Sawires) a journalist who was born and raised in the Shanti (beach) Refugee Camp in Gaza. He comes and goes into this volatile site of the bitter struggle of the siege of Gaza that took place in 2008.  They are just like young lovers from anywhere and any culture.