Jesus Christ Superstar

This is an exceptional production of this iconic musical and perfectly captures the edginess that the text exuded when it first exploded on to the theatrical scene in 1971. Depicting the last weeks of the life of Jesus from the perspective of Judas, Jesus Christ Superstar held the record for the longest running show in London until it was overtaken by Cats in 1989. It has enjoyed several revivals as well as film and television adaptations which attest to its enduring popularity and appeal. The stellar cast in this new production creates a truly unforgettable musical experience.

Michael Paynter as Jesus is an absolute powerhouse, the strength of his vocal talent literally blows the audience away. He is well matched by Javon King as Judas who impresses his audience with equal intensity. Mahalia Barnes as Mary is a stroke of casting genius as her soulful singing brings an incredible sweet, authentic, and vulnerable quality to the role. Reuben Kaye as Herod is an absolute hoot, Peter Murphy as Pilot is vicious, while Elliot Baker as Caiphas and John O’Hara as Annas are positively menacing.

First and foremost, the performers are able to prioritise their outstanding vocals to convey the emotion of their characters and the drama in their roles. Together with the superb music played by the band, they approach the iconic music from a very personal perspective. The command of the vocal range imbued in the compositions is astonishing and literally brings the house down. 

The lighting (Lee Curran), set and costume (Tom Scutt) design are all integral to establishing the overall sombre mood of the production. This is executed with a very clear and striking aesthetic. The emphasis on a clash and contrast of lighting, colour and mood especially accentuates the themes of conflict, doubt, paranoia, and betrayal. The highly stylised choreography (Drew McOnie) of the ensemble also contrasted well with the more naturalistic movement adopted by the protagonists. The roman culture is beautifully suggested via versatile props and large masks that resemble marble busts. These simple and striking aspects of the staging make it easy to contextualise the events.

The production allows you to appreciate the very recognisable songs and melodies, but they are delivered and interpreted with a very personal heart and soul. This essentially makes the production unique and formidable. Highlights of the show include Paynter’s rendition of Gethsemane. The levels of energy and emotion he gives the song are incredibly moving while also clearly stunning audiences with his vocal acrobatics. The quality of the singing from the ensemble is also excellent, adding layers of finesse to the collective high-quality performance that is on display.

Both fans and newcomers alike will find this production rewarding, engrossing and simply astonishing. 

Patricia Di Risio 

Photographer: Jeff Busby