Reviews

Things I Know To Be True

By Andrew Bovell. State Theatre Company of South Australia. Dunstan Playhouse. 13th May – 4th June, 2016

Directors Geordie Brookman and Scott Graham have joined forces, bringing with them a mix of experience, innovation, physicality and depth. In what can be best described as a family drama, playwright Andrew Bovell has brought suburbia to the stage in his play, Things I Know to be True.

The Price family are your quintessential battlers. With lives full of sacrifice and dysfunction, they are real and honest as they tread the line between love and hate, responsibility and independence.

Xanadu The Musical

Book by Douglas Carter Beane. Music and Lyrics by Jeff Lynne and John Farrar. Based on the Universal Pictures Film. Matthew Management and Hayes Theatre. May 12 - June 12, 2016.

This is the glitziest looking co-op musical you could ever care to imagine.  From diamante tiaras, to gorgeous classic style dresses and tunics in bright 1980’s colours, to imposing Greek columns that fence an amphitheatre, turned disco roller rink - it’s an exquisite production to watch.

The musical opens with the fiendishly clever projection of nine muses of Greek mythology on a wall (yes in Venice California in 1980) who dissolve like magic before our eyes. Who said you can’t afford fancy looking special effects in a little production?

Dido and Aeneas

By Henry Purcell. WAAPA Classical Voice, Dance and Music Students. Directed by Glenda Linscott. John Inverarity Music and Drama Centre, Hale School, Wembley Downs, WA. 2-5 May, 2016

This WAAPA production featured 2nd and 3rd Year Classical Voice students, as well as Diploma Dance Students, with music provided by the Music Department. It was directed by Head of Acting - Glenda Linscott, making it a very cross-department production. It managed to sound and look impressive despite being an unfunded production.

Away

By Michael Gow. Liverpool Performing Arts Ensemble. Directed by Tony Woollams. Casula Powerhouse. 11 – 14 May, 2016.

This was a solid and well-staged production.

Michael Gow’s drama is 30 years’ old this year and it’s easy to see why it’s a staple of HSC English: the cultural and social commentary, the “big” themes of loss and mortality (especially in one’s youth), and the subtext are all so thick that Russian playwrights would be jealous. And yet it’s written in such a down-to-earth manner.

The Tempest

By William Shakespeare. Director: Brenda White. New Farm Nash Theatre Inc. Merthyr Road Uniting Church, New Farm, Brisbane. 13 May – 4 June 2016

New Farm’s Nash Theatre are celebrating the 400th anniversary of Shakespeare’s death by fittingly staging what is regarded as his last written solo play, The Tempest.

Stretching the resources of the small company, Brenda White has assembled a large cast (over 20) to espouse the Bard’s treaty on revenge and ultimate forgiveness in a production that is both comic and romantic.

Swing

By Steve Blount, Peter Daly, Gavin Kostick and Janet Moran. A Production by Fishamble. Australian tour produced by Merrigong Theatre Company. Directed by Peter Daly. The Street Theatre, Canberra – May 11 – 14, 2016, and touring

This is a show about dance – swing, of course! – and the marvellous range of people who learn swing in one studio in Ireland. With only two actors, Arthur Riordan who plays Joe and Gene Rooney who plays May, they also produce a veritable dance school of characters. The audience is taken on a learning journey with the characters who evolve, improve, or disappear as the play progresses.

The Events

By David Greig. Upstairs, Belvoir Street Theatre. May 12 – June 12, 2016.

The Events draws on that horrific killing of 69 young Norwegians on an island by a lone gunman, but Scottish writer David Greig speaks to other similar events. It’s a seemingly random, reflective play of short vignettes around the furious quest to understand by a priest who, locked in the music room, survived a school yard massacre. 

Singin’ In The Rain

Music and lyrics by Nacio Herb Brown and Arthur Freed. Script by Betty Comden and Adolph Green. Directed by Jonathan Church. Her Majesty’s Theatre, Melbourne – Opening Night May 14, 2016, then touring to Sydney, Brisbane, Adelaide and Perth.

Boy, didn’t it rain…and didn’t we love it! There’s so much water on stage in the classic title number, that it might have been a Melbourne weather report, instead of the opening night of a much-loved musical. What it absolutely isn’t is the iconic 1952 Movie Musical, and that is both a good and a bad thing.

My Name is Asher Lev

By Aaron Posner. Adapted from the novel by Chaim Potok. Moira Blumenthal Productions and Encounters@Shalom. Eternity Theatre. May 8 – 29, 2016.

“You won’t succeed on Broadway if you don’t have any Jews”goes the song in the musical Spamalot. This month the same applies in Sydney.

The harbour city has more Jewish flavours than a buffet at a Bar Mitzvah  - hosting Fiddler on the Roof, Bad Jews, Disgraced and My Name is Asher Lev.

The (latter) play based on Chaim Potok’s novel, takes us into the world of Hasidic Judaism.  

The Shoe-Horn Sonata

By John Misto. Gold Coast Little Theatre, Southport. Director: Jim Dixon. May 14 – June 4, 2016

The horrors of war are the basis of this poignant tale: two women – one English and one Australian retell their experiences as Japanese Prisoners of War.

Aussie Eve Wheeler and Pom Marie Dixon are being interviewed, 50 years after the cessation of hostilities, for a TV documentary. The interviewer, Barry Gibson, is unseen throughout the proceedings and the scene switches between the TV studio and the ladies’ hotel room.

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