Reviews

Tom, an Australian visitor to Berlin, has chatted up Charlotte, a bartender in a ‘real Berlin’ bar, claiming he has no hotel.  She invites him to sleep on her couch.  Her apartment is comfortably furnished and lived in.  (Design by Christine Smith.)  Charlotte confesses to being an heiress.  There’s a Constable painting on the wall in her loft bedroom, but she says it’s only a reproduction. 

‘He chose you, isn’t that enough?’ Brandon’s answer to Adam’s dilemma of having a boyfriend who is also a Christian. Next Fall explores the often-avoided subject of homosexuality versus religious faith and examines what it means to ‘believe’ and what it might cost if we don’t.

Premiering Off-Broadway in 2009 and using humour as a base, Next Fall’s themes are still as fresh today, diving into relationship conflicts, family disfunctions, mid-life crisis, coming out, and coping with loss among others.

Fifty years on, and still argued to be his best play, David Williamson’s The Removalists is here given a wickedly funny yet violent production by Johann Walraven at the New.

The director is blessed by Laurence Coy’s outstanding performance as the relentlessly bullying Sergeant Simmonds, a bull engine of spite and moral platitudes. His victim from start to climatic finish is young Constable Ross (an inventive Lloyd Allison-Young), fresh from training school, but the arrival at the station of the two sisters brings fresh meat. 

As a youth theatre company, Riot Stage has a history of addressing issues related to young people in a penetrative and insightful manner. Everyone is Famous is no exception. The show is co-created and performed by Bonnie Brown, Sunny Chiron, Mila Lawson, Anna Louey, Amelia Newman, Jack Palit, Lillah Summers Dixon, Liam Trumble, Alex Veljanovski. The performance takes a quasi-documentary approach to teens and young adults and their experience of the feral world of new media.