Reviews

FANGIRLS

Book, music and lyrics by Yve Blake. Adelaide Festival of Arts 2021. Ridley Pavilion. Feb 27 – Mar 14, 2021

It’s refreshing to be able to attend the theatre amidst a global pandemic, even more so to be able to attend a relatively new Australian musical, showcasing the talents of some of our country's most gifted rising stars.

Peter Goers in Joyful Strains

Adelaide Fringe Festival 2021. Holden Street Theatres. Feb 20 – Mar 21, 2021.

Peter Goers OAM has been gracing us with his presence on several mediums for over 40 years. Starting out in theatre as a youngster, he studied at Flinders University, before migrating to writing reviews for The Advertiser and in later years filling the airwaves at ABC radio with his unique style of banter.

Beside

By WA Youth Theatre. Directed by James Berlyn. Peninsula Farm, Baigup/Maylands WA. Feb 24- Mar 6, 2020

Beside is the first Perth Festival commission for WA Youth Theatre in the company’s 40-year history. A site-specific production, it asks audiences to consider what it means to be beside a “river of change”, which runs beside one of WA’s oldest farm-houses, on land that has “an unbroken 65,000 year cultural history”. One of the first Perth Festival productions to sell out, this is a dynamic and fascinating work that intrigues and leaves you thinking.

Guttered

Restless Dance Theatre. Adelaide Festival 2021. Norwood Kingpin Bowl. 26 February - 14 March, 2021

Director Michelle Ryan writes: ‘safety nets, however well intended, can often do more harm than good’.

This is a premise which is deeply interwoven through Restless Dance Theatre’s latest offering, Guttered, at Norwood Kingpin Bowl.

Chess The Musical

Music by Benny Andersson and Bjorn Ulvaes. Book and Lyrics by Tim Rice. Very Popular Theatre Company Directed by Erin James

A year after it was called off at the eleventh hour due to the pandemic, this spectacular concert edition of the musical burst onto the stage of Newcastle’s beautiful Civic Theatre.

A large chorus of singers were located at the back of the stage, the orchestra was front and centre, whilst the actors weaved in and out of the players, sometimes on a raised platform, at other times in front of them.

Giant flags of the Soviet Union and United States were unfurled when appropriate, and impressive AV, featuring images and chess graphics adorned either side of the stage.

Nella

By Julia Mayer. Adelaide Fringe: World Premiere. Tirkanthi at Payinthi, Prospect Library. 24 Feb - 7 March, 2021

Presented and written by Julia Mayer, Nella is a ‘pastranomic delight.’ This 60 minute debut show from actor and comedienne Mayer is a deeply personal story about migration, and the building of generations, family stories and traditions. It is the true story of Mayer’s Nona’s life, a woman who at 19 left her small northern Italian village, eventually becoming a lauded chef at the Norwood Hotel.

The Pulse

Presented by Gravity and Other Myths and Aurora. Adelaide Festival 2021. Her Majesty’s Theatre, Adelaide. Feb 25 – Mar 3, 2021

A bare stage is illuminated by stark white lights that point directly down through the haze. First a few people, dressed in shades of grey, walk quickly in straight lines, turning sharply, never once touching another. Then the stage is filled with grey men and women, moving around one another to the background of rising voices – choral and chatter.

That Boy

By Martha Lott. Adelaide Fringe Festival 2021. Holden Street Theatres. Feb 16 – Mar 21, 2021

A room that looks like a tornado has passed through – clearly the space of a young boy. Tom is eight years old, cheeky, and out of control - a ‘cross between the Energiser bunny and Tasmanian Devil’ says his mother, Sarah, whilst tidying his room to look for ‘Monkey’, Tom’s favourite toy and sidekick.

A Midsummer Night’s Dream

By William Shakespeare, adapted for opera by Benjamin Britten and Peter Pears. Adelaide Festival 2021. The Festival Theatre, Adelaide Festival Centre. Feb 26 - Mar 3, 2021

A Midsummer Night’s Dream is literally a masterpiece!

Robin Hood - Pantomime

By Tracy Rogers. Directed by Guy Jackson. Marloo Theatre, Greenmount, WA. Feb 26 – Mar 20, 2021

It is somewhat of a recurring theme at the moment, but Robin Hood is another show that had a particularly challenging rehearsal period. In addition to the lockdown in the final part of the rehearsal period, Robin Hood lost both its leading man and its villain just a few weeks out, the leading lady was in intensive care just a week before the production and they lost the permission to perform one of their biggest numbers on the day of the first show. None of this is apparent in this fun, well-presented production.

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