Il Trovatore

This was another ambitious project for this semi-professional company. A traditional production, which was originally staged at the Athenaeum Theatre, it looked a bit sparse on the huge stage in Frankston, though the projections at the back helped.

Il Trovatoreis nothing without top singers, and this CitiOpera delivered. New Zealand dramatic soprano Amanda Atlas had the ideal voice for Leonora. Her big voice easily met the demands of this challenging role, also delivering some beautiful pianissimo singing.

Byung-Kil Yoon, principal tenor with the Korean National Opera, also possessed the power required for Manrico. He took a while to warm up, wobbling on his top notes in the first act, but came into his own in the second.

One of Melbourne’s busiest baritones, Michael Lampard, was not overshadowed by this exalted company and presented a strong Count, singing beautifully. Young bass, Adam Jon, made a favourable impression.

I have followed Selena Pettifer’s career for many years now, but this role didn’t suit her as well as others she has played, as her voice lacked the bite required, though her acting was strong.

CitiOpera’s new musical director, Alan Cook, looked too young to have spent ten years conducting in Europe, but showed masterful control of the orchestra. He will be a great asset to the company.

The male chorus was a bit underpowered, but the a Capella singing of the female chorus in the second act was a highlight.

Verdi fans go to the opera to hear good singing, and they will get that here.

Graham Ford

Photographer credits: (top) Robin Halls and (lower) Susan Gamble.