Reviews

The Ghost Train

By Arnold Ridley. Genesian Theatre, Kent Street, Sydney. September 22 – October 28, 2018.

You may remember Arnold Ridley as Private Godfrey, the gentle, old medic in the British comedy series Dad’s Army, but as well as an actor, he was also a prolific playwright. Of his 19 plays, the best known is The Ghost Train, written in 1923 after Ridley was stranded overnight during a rail journey through Gloucestershire. The play has a long history. Its initial production ran to sell out houses at St Martin’s Theatre from 1925 to 1927. It has been adapted for many film versions, the first a silent film in 1927.

Blue Stockings

By Jessica Swale. Heidelberg Theatre Company. 7 – 22 September 2018.

Cambridge University, 1896.  Women are permitted to attend, they can pass their courses, but they cannot graduate, no matter how brilliant or, at the very least, as equally brilliant as the male undergraduates.  They struggle for their rights against prejudice, condescension, virulent misogyny and sheer gobsmacking nonsense - such as the claim that if women overtax their brains, it will affect their ‘vital organs’.  The play covers a year in the lives of four highly talented, committed women, each prepared – as if it’s an either/or choice – to sa

Shrek The Musical Jnr

Music by Jeanine Tesori, Book and Lyrics by David Lindsay-Abaire. Directed by Olivia Collier. Hertha Reserve, Stirling WA. 21-30 Sep, 2018

Shrek Jnr is a big, high energy holiday treat presented in a big top in Stirling, with a large cast, great costumes and lots of fun. A highly immersive performance with opportunity to meet the characters and have photos, it is a great way to introduce little people to live theatre and a great school holiday outing for all.

Stalker: The Musical

Book & Lyrics by Alex Giles and David Russell. Music by Andy Peterson. RPG Productions. Directed by Kaleigh Wilkie-Smith. Depot Theatre, Sydney. September 19 - October 6, 2018

Imagine a place where the word “love” doesn't exist. Where people believe they'll be hurt if they touch each other; where the only form of intimacy is watching others do mundane tasks such as calculating taxes or playing solitary games.

Our Man in Havana

Written by Graham Greene, adapted by Clive Francis. Stirling Players (SA). Stirling Theatre. September 21- October 6, 2018

Shakespeare wrote, All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts.

Our Man in Havana brings this quote to life in a frantic, fast-paced satirical farce that is like nothing I’ve ever seen before in theatre. Exits and Entrances? There must have been over a hundred! Many roles? I lost track!

Spamalot - Schools Edition

By Eric Idle and John Du Prez. Platinum Entertainment and Perth Youth Theatre. Directed by Trevor Patient. Stirling Theatre, Innaloo (WA). 20-22 September, 2018

Platinum Entertainment and Perth Youth Theatre present the Schools Edition of Spamalot, in a rollicking celebration of a show. Spamalot purists will not be disappointed as this version leaves the plot intact and the 13-17 year old cast perform with joy and vigour.

Outside Mullingar

By John Patrick Shanley. Centenary Theatre Group. Director: Rod Felsch. Community Centre, Chelmer, Brisbane. September 15 – October 6, 2018

Set in the recent past on two rural properties in county Westmeath, Ireland, John Patrick Shanley’s Outside Mullingar is basically a romcom of unrequited love between two middle-aged farmers, Anthony and Rosemary, and their quarrelsome parents. But being Irish of course,there’s a lot of talk of death (it opens just after a funeral) and with the constant off-stage sound of rain, rain and more rain, it’s a constantly bleak and gloomy atmosphere.

Communicating Doors

By Alan Ayckbourn. Castle Hill Players. Pavilion Theatre, Castle Hill Showground. September 21 – October 13, 2018.

Staging a play that involves a hotel room in a 40-year time warp is obviously no problem for director, set and sound designer Bernard Teuben. With special lighting effects by Sean Churchward, he has transported Ayckbourn’s 1994 play into the 2038 suite of the Regal Hotel, London, complete with a frosted glass bathroom and a communicating door that, like a neon-lit Tardis, carries its passengers back to 2018 and 1998.

Umami Mermaids

Created and performed by Anna Straker. Directed by Elizabeth Millington. Presented by Brisbane Festival, QUT, and La Boite Theatre Company. Theatre Republic - La Boite Studio. 18 - 22 September, 2018

Umami Mermaids is an imaginatively artistic combination of puppetry and live action. It’s set in a dystopian future where man has greedily consumed natural resources. We’ve failed to act when the environment demanded respect and have caused our own extinction. Mutated mermaids are crawling from the apocalyptic ruins to take their vengeance against the worst kinds of humans. 

Transistor Sister

By Chloe Black. Melbourne Fringe. Pilgrim Bar Federation Wharf, Melbourne. September 20 – 28, 2018

Chloe Black hails from Hobart, Tasmania. This is her first Fringe Comedy show in Melbourne and she is excited to take that first step to celebrate her new transgender identity and wants the world to know she is proud, loud and happy to finally find solace with her new self.

Her stories jump from her mother’s uncomfortable unease with her gender transition, through to a personal learning curve with a new breast size. She loves her new role as mother as opposed to fathering her eight- year old son.

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