Reviews

K-Box is a play that has a refreshing approach to a much-neglected topic. George and Shirley's daughter, Lucy, has yet to come to terms with the complications of being Korean and having white, Anglo-Saxon adoptive parents. The cultural implications of this begin to have an impact on her psyche as she gets older so she returns to the suburban family home to take a step back from her life. The white, middle-class privileged atmosphere is wonderfully constructed in the set and in the highly accurate stereotyping of Lucy's parents.

It’s only fitting that Silence return to HOTA, the virtual place of its birth, at a time when our “new”ish PM is finally listening to the calls to end the silence which has been crippling reconciliation for the last 250 plus years. It’s about the silence of non-response, of muted muffled arguments, and pleas that are knowingly not heard. It has potent and poignant points to make. Most of all, it’s about the need for a Treaty - for all our sakes.

The Last Great Hunt’s World Premiere production Telephone is an exploration of communication, featuring hundreds of telephone calls from which emerge a few interlocked stories. A cleverly structured ensemble production, Telephone has the excellent use of props and innovative use of technology that we have come to expect from The Last Great Hunt.

Young actors Alyona Popova and Joseph Raboy shine in this un-nerving Danish play about teenagers who want to be taken seriously. Teenagers searching for meaning in a world that doesn’t … won’t… can’t … answer their questions about the meaning of life. Their world has gone beyond the supercilious “42” that Douglas Adams suggested in Life, the Universe and Everything. Their world is far more insecure, and Pelle Koppel surmised that if they had to find answers for themselves, they might find discover things that are even more disturbing.